Typos - by Jo Carroll
We all make them, don’t we? In that glorious
rush to get
words on paper fingers get muddled and our wisdom can emerge as gobbledegook. So we edit, edit, edit – honing our wonderful sentences until they say exactly what we want them to mean.
words on paper fingers get muddled and our wisdom can emerge as gobbledegook. So we edit, edit, edit – honing our wonderful sentences until they say exactly what we want them to mean.
Except sometimes they don’t. In our heads
they are wonderful, because we see what we think we’ve written. But the reality
can be wobbling tenses, repeated words words, missing punctuation so one
sentence runs into another and the whole thing makes no sense at all and even
speellings that hide in the sentence undergrowth and confuse here and hear.
I know, you’ve read the thing six hundred
times and are convinced that this time it’s perfect. And then along comes
Nellie (probably aged about six, with a reading age of eight) and spots twelve
mistakes in the first paragraph and it’s all you can do not to chew your own
arm off with frustration because YOU ARE MEANT TO BE ABLE TO DO THIS STUFF!
So – this is a plea – how do you spot them?
I’ve read the following nuggets of advice, tried them all, and still the
b*ggers slip through:
·
Print your piece in a
different, unfamiliar font – you will read it more carefully. (I’ve tried this
so often that all the fonts are familiar to me now, except the one that looks
like handwriting and I draw the line at working with illegibility).
·
Print your piece and read
it in reverse: you’ll stop noticing the narrative and find it easier to spot
mistakes. (I wish – though it does pick up a few.)
On top of this there seems to be some sort
of rule that typos leap out and smack you the second after you’ve posted the
piece, or pressed send. Why is that? How come they lurk until that very moment
you can do nothing about them?
Does it matter? Yes, I think it does. I get
a copywriter to check my books, but can’t afford one for every short story
submission or piece for a journal. And they matter because I’m a pedant, and I
am irritated by mistakes in books – we claim to be writers, so we should be able
to spell. There’s something unprofessional about leaving 'their' when we mean
'there', and don’t get me started on 'your' and 'you’re.'
But please, if anyone has a fail-safe way of
spotting them before pressing send, please share it with the rest of us.
You can find more of my writing at http://www.jocarroll.co.uk - and please
let me know if you find typos there, so I can correct them.
Comments
After fine-tooth-combing and getting every last typo out over the course of a year, I still discovered one for every two chapters while recording the audiobook.
Arghhh!
My only safety net is getting fellow teachers to read for me - about five of them! Even then, I can't guarantee total success. I think even copyeditors these days have trouble because they are under so much pressure to get the work out, and most publishers don't have teams of them the way they used to. It's a problem, I know.