Debbie Bennett's Cover Story
| 2011 version |
So Edge wasn’t too bad. And I know i posted about the motivational aspect of this book a coupe of months ago too, but stick with me - this isn't a complete regurgitation. I sat on it for a long time while life happened, then dusted it off and rewrote it a few times. This was the first novel I submitted to traditional publishers (indie publishing wasn’t a thing back then), and it did almost get picked up by Chicken House, failing at the last hurdle of the Acquisitions meeting. Still, it gave me a little confidence as I stuffed it back in its subdirectory and moved on to other things, as we did back then.
| 2026 version |
Fifteen years (and 6 crime novels) later …
I finally got the kick up the backside I needed to put out a paperback of Edge of Dreams and finish Flashpoint. But it’s been so long that JT couldn’t find the original ebook cover file, so he kindly sorted me a new updated version, plus the paperback wrap. I wrote another 15k words to finish Flashpoint, then did a major edit/rewrite and got JT to do the cover for that too.
| The sequel |
And while we’re talking about covers, let me talk about the dreaded AI. Generative AI that is. Now, it’s been done to death on social media and blogs and so many authors are getting roasted for AI-generated covers – and no, it’s not difficult to tell. But I want to just mention the authors that put up their AI covers for 'critique' and claim they want to get it right, so they can pass it to a ‘real’ designer to show what they want.
Really? I’m a writer – I write. My designer designs – he doesn’t copy my design. It’s his job to understand how to interpret my brief (usually the blurb, a few ideas, maybe some links to images or covers that inspire me) and turn it into something where the typography works with the images into a cohesive design. That’s his skillset, not mine. And he’s way better at it than me!
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