Authors Electric

Inmates of an Industrial School    I’ve just revised my novel Bird of Passage – published to Kindle some years ago - before releasing it to various other publishing platforms via Draft 2 Digital – no real changes, just a little bit of much needed editing and reformatting here and there. This was one of my earliest eBook publications and I’ve been aware that it needed attention for some time. I have plans for a paperback later in the year when an engrossing new project allows. I revamped the blurb as well. And that’s what gave me pause for thought and the idea for this post. The background to Bird of Passage involves an issue or indeed a set of issues that are difficult to write about, problematic, sickening and to some extent neglected or even supressed. My second major professional stage play was a piece of ‘issue based’ drama so I know all about the problems and pitfalls. I’ve even run workshops on it for the Traverse in Edinburgh. But Bird of Passage is – and feels ...

I'm currently busy on the final draft of a new novel called Line Dancing, set in a small Scottish village, of the kind I have lived in for many years. I've been working my way steadily through a print-out of Line Dancing, correcting and rewriting as I go. I always like to do these late corrections on paper and then type them up afterwards, even though I write the first draft straight onto the computer, and follow that up with a great number of on-screen rewrites. While I've been doing this, I've been thinking about a previous novel, Bird of Passage . I suppose there are vague similarities, although Bird of Passage is much more of a family saga; a twentieth century historical novel  spanning some 50 years. On the other hand, if I had to place Line Dancing into any category, it would be 'contemporary women's fiction, romance with a literary twist'. It's a love story which tackles serious issues in a rural setting. And perhaps that's one reason why...