Authors Electric

Here’s a quiz question for you.  Just about every new writer will, at some time or other, be advised to ‘murder your darlings’. By which is meant not bumping off your nearest and dearest to give you AT LAST a bit of peace and quiet to create… but exerting discipline over what you’re creating. If you have written a passage you’re particularly proud of, with elaborate, flowery images, elegant use of words – the best of fine writing, in short – then delete it. The chances are you’ve strayed into a self-conscious writerliness, in which pace and plot have been sacrificed to draw attention to your own beautiful prose, or (in my case) to set up a joke I’m desperate to squeeze into the story.  It doesn’t work. The narrative must come first. Every bit of scene setting or character depiction, every scrap of dialogue and, yes, every joke needs to further the plot. Writing should be like a clear pane of glass. Photo by Magda Ehlers: https://www.pexels.com/ photo/rustic-wooden-window-overl...

  Why has a wider knowledge become so narrow? Every time I teach a new literary text to a student, I am excited to share the context of its historical period with them. Understanding the social and historical background to a text can help to bring it to life, illustrating what motivated the author, what they rebelled against or were shaped by, whether they realised it or not. It is crucially important when studying older texts, like Shakespeare or Dickens, which can seem so remote from the lives of young people today, but it is also important to remember that events which happened in the 1980’s and 90’s might as well be medieval to a 15-year-old. Studying Willy Russell’s  Blood Brothers   requires an understanding of Thatcherism and the politics that shaped the decade in which she presided over No. 10. Knowing the background not only enriches understanding, but it also helps to present the authors as real people with real lives. Furthermore, it is part of the curriculum i...

You can find the Book DNA site here. It's a site that aims to put people who love reading and books in touch with other people who love reading and books. You can join as a reader and/or as a writer (since writers tend to be book-lovers and avid readers often write.) You can put forward your favourite books of a year, as I've done here  ...and Book DNA will make you a beautiful page to show off your choices. Or, if you join as an author, you can choose one of your own books, and then show-case five other books which you think will appeal to a similar readership, as I did here... At the beginning of this post and again at the end, I have the opportunity to mention my own book of ghost stories, Hauntings . This doesn't cost the writer anything except the time spent compiling their choice of books -- which, as always, is rather a pleasure. And I noticed a definite up-turn in the sales of my ghost stories after posting this.  The Book DNA site is building a community of reader...

This month I'm reading some non-fiction aimed at adult readers: The Spell of the Horse and its sequel The Spirit of the Horse . The author Pam Billinge offers Equine Assisted Therapy with her small herd of horses and ponies, which together with the associated Equine Assisted Learning are becoming more popular in the UK as beneficial therapies. Simply being around horses, it seems, works wonders for people, and with the guidance of a trained facilitator time spent with the herd can be as powerful as any conventional medicine. These two books combine Pam's personal equine journey with selected case studies (names and details changed to protect clients) to make an interesting and digestible read.  The Spell of the Horse The Spell of the Horse  begins with Pam bonding with a mare called Carabella on a riding holiday in Spain, and noticing how her own horse reacted when her mother was diagnosed with terminal cancer. As the book progresses, we meet the various equines that have acc...

Image Credit:  Images created in Book Brush using Pixabay photos. It is ironic the longest month ever, January, is followed by the shortest, February. Writing wise, it gives me the shortest time to prepare my next author newsletter, due in March, but I discovered long ago the joys of drafting in advance so I add to my draft as the month goes on. I do likewise for my blogs and articles. It takes the pressure off.   I enter a number of reputable flash fiction and short story competitions in the year. It’s fun to do and a great challenge (and I always look for those where it is free or the fee is reasonable).    I’ve found it useful to take a week off any official deadline and make that the day I submit my entry. I pencil into my diary when I need to have my first draft done by, my first edit, my second one, and the final one to check for those pesky typos which have escaped the previous edits. I wish I could say there weren’t any but I’ve found it pays to assume there ...

My great-aunt Dorothy, and her mother I used to get a lot of fanmail, in the days when the Divide trilogy had just been published, a fantasy aimed primarily at the 10 – 13 age-group, although there was a lot of subtext intended to appeal to the parents... Apart from all the requests to be sent free books, some of them led to real friendships, even transatlantic ones. I am still in touch with the one that said: I bet you don’t get many emails from 26-year old men.           But I can go back a lot further than 2003. The first stories I ever had published were in the Evening News, a newspaper that is now sadly no more. This one was published in June, 1978. I’ll put what I remember of the letter I received after the story. The other amusing this about it is a photograph I discovered after my mother’s death, of my great-aunt Dorothy. She was the nearest I ever had to a grandmother, and she was huge fun.   The old ton-up fossil There wa...