Authors Electric

Last month, as everyone packed their bags and headed home after another fantastic Theakston's Old Peculier Crime Writing Festival in Harrogate , I was buzzing. And, as much as I enjoyed the festival, it actually had nothing to do with my feelings of excitement and fear. Sunday 23 July was a big day for me because the third book in my DI Hamilton series, Deadly Friendship, was published. I thought my emotions would be far more contained than they were - not only was this my third book in the series, but, in total, it's the fifth I've published, so I should be used to publication day, right? Wrong! I've realised my nerves build the more I write ... and I'm sure many authors feel this. We're constantly in competition with the last book we've written - if readers loved it, can we match, and even exceed, their expectations? And if they hated it, can we better ourselves and our stories? We all know that we can't please all the people all the time, but gosh,...

I come to you today from the depths of my editing cave. I've been here for two weeks now, but there is a light at the end of the tunnel - and therefore the reason you're having any contact from me at all. Before writing my books, I worked for an in-house magazine as assistant editor for eight years. A weekly magazine, and a team of two, we designed the layout, interviewed the staff, wrote and edited the articles. What I do now has a very similar set-up, and that's what I had in mind when I started this process in 2015: I can handle all aspects of my writing career, after all, I've done it for many years. How wrong could I have been? And yes, editing, I'm looking at you. What I didn't appreciate was the amount of editing I'd have to do in one hit. Gone are the few hundred word articles, replaced by the hundreds of pages and thousands of words. The paragraphs are no longer factual events, coloured with interesting quotes from employees, but are the inner ...