Authors Electric

I never think of myself as a British writer. Most people who read my blog and books are from other climes. But I’ve been invited to play ‘A Very British Blog Tour’, which was set up to celebrate authors in our small isles.  I was nominated by fellow Electric Author John A A Logan and he was tapped by Christine Miller . You can find my own list of Brits at the end.  There are rules, which I’ll keep in small print because John covered them already. Magnify by Ctrl++ if you feel inclined, otherwise let’s glide onwards. We British have certain conventions, traditions and procedures that are expected. There is a dress code in the reading of this British blog and you are expected to comply with it. Gentlemen will wear suits, white shirts and dark ties (or kilts, sporrans , baggy T-shirts etc). (Tartan ties wherever possible). Ladies will wear dresses (one inch above the knee, no higher, no lower) and floral summer hats (or baggy troosers and bunnets). Jodh...

I just had this email exchange: 'Hi Roz, I'm reviewing for the New York Journal so get your publicist or publisher to send me your books. We don't take self-published.' Let's pause for some naughty words.  There. Frustrating though this is, cherished policies are not updated easily. But the age of enlightenment is being held back by bare-faced misrepresentation from traditional publishing. I've seen two examples in the publishing press in the past month - and it’s time to call them out.  Misrepresentation #1 The first was a post on the blog of top UK literaryagent Andrew Lownie , where editors list what they're looking for.  Every one of them says they want new work that twists a genre, unique concepts and voices, unforgettable books that defy expectations and break the mould. Read this and you'd think all the exciting authors get the recognition they deserve. That those who don't are not special enough. What’s really ...

            The trouble with most academics is that they're all subtext in bed:  they'd rather read between the lines than ride between the sheets.  But we in EbookLandia are lucky to have nobler woes on our minds: 1)      The word as art is dying fast.  All books will be written by experts one day, published by experts at making them read as if they'd been expertly written. 2)      Nothing brings out the ax murderer in an agent's heart more quickly than an original talent.             We come here for the freedom to practice our art without having to bow to the Combine.  But survival here too can be bloody as hell.  And those most likely to succeed are those who somehow learn to mine Transatlantic Gold.  The gold is so rich that a handful of nuggets can help gild our odds on both sides of The Pond....

Let me confess: I'm a fan of round-robin christmas letters.  It's fashionable to diss them in the UK, but I disagree. Even if the missive is smug and airbrushed and claims the golden offspring can split the atom, it’s more meaningful than a card that only says 'from Nina and Frederik'.      But since I approve of Christmas newsletters, that means I must compose one. And I don't know what to put. I spent this year writing, rewriting, talking to other writers and, er, working out what to write next. Sure, there was adventure and atom-splitting, but it happened on the page and in my head.      And that's my update. One paragraph. How can I spread it out?      When in doubt, study the requirements of the genre. Boasting     Christmas letters need boasting, with bells on. Your friends will report a mighty throng of promotions, bonuses, and other unceasing achievements. T...

Readers of this blog will know how many fine authors choose to self-publish or are driven to it because they don’t fit a marketing niche. But when we go it alone, how do we build a brand? One important function that publishers used to perform was curation - taking the creme de la creme, producing it well, putting it out under an influential imprint. In the real world, that didn’t always count for much, but the reading public thinks it did - so to get credibility, indies have to replace it somehow. And here’s how we’re doing it. Publishing collectives Some indies band together to form an editorial board. Books aren’t published unless all members approve them. That takes a lot of trust and rigor, and all members have to be in tune with a particular type of reader. Perhaps not good for mavericks, but it’s the indie version of the niche publisher. The handpicked collection Some authors are gathering collections of writers whose work they admire. I was lucky enough to ca...

This month I've gone retro. I’ve been playing with print. Yes, I know that on this blog we are brilliantly electric. But it’s a year since I released my novel, My Memories of a Future Life , and I thought I'd celebrate. On a whim, I created a special, limited print edition of the book to be given away as a prize. It wasn’t premeditated. As with most of my ideas, it was a side-effect of something more purposeful. As part of the anniversary celebration I ran a twist on my blog series TheUndercover Soundtrack . Usually, authors write about using music in their creative process, but I flipped the concept and hosted two musicians who make work inspired by novels ( here and here ). So there I was, footling with PagePlus, creating an adapted logo. I swiped the cursor over a thumbnail of the Future Life cover and it flashed into negative, like a premonition. The blood piano and ethereal sky became copper-green and thunder. In a book that looks at reincarnation the wrong ...