Authors Electric

          The most cliched comment in the UK at present will almost certainly include the word 'ark', as we've had almost non-stop rain for about three months. As an introvert, I'm not the greatest fan of real summer, which, with its blue skies, sunshine etc, keeps pulling at me like an irritating child, but this greyness and endless rain is something else. However, it has made me concentrate on my latest publisher's brief - a challenge involving subverting some well-known and excellent texts. Work completed (or probably not - is it ever?) I really would like to sit in my garden (at present very soggy) and enjoy some sunshine.           My latest book - PRINCESS FROG - is just out, but I have yet to receive my author's free copies. Seeing and holding the actual book still feels like the culmination of the creative process, so what about ebooks where the words are everything and the material obj...

I've just been re-reading Linda Newbery's post on editors and editing, and I think that, on the whole, I've been very lucky. For my earlier books with Walker, I worked with Wendy Boase, Anne Carter and later, Mara Bergman, and in nearly every case, the process of editing brought added richness to the stories. A really good editor is like a midwife (sorry, guys, but even you can be pregnant with a good story which might have to be eased into the world in the most appropriate way). For one YA book, THE GAME, the introduction of a new character was suggested. I kicked, screamed and objected, finally capitulated, experimented - et voila! Something  amazing happened (thank you, Anne). The next of my out of print YA Walker books to become available as an ebook  will be WOLFSONG. It's set in a big, ancient house in Brittany, a real house which played an important part in my own life - its name, 'Chanteloup', translating satisfyingly into WOLFSONG - the song of th...