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Showing posts with the label historical crime fiction

First Policewoman in Scotland: 100 Years and Counting

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This month marks the centenary of the first policewoman appointed in Scotland . She was Emily Miller who was appointed to the City of Glasgow police force on 6th September 1915. She remained Scotland ’s only official policewoman until 1918, when the City of Dundee appointed Mrs Jean Thomson. The history books and records are often loath to acknowledge these early women were policewomen. Depending on what source you research they can be described as statement takers, court sisters, police sisters, and a variety of other titles. However, the statistics firmly record them as policewomen, as does the Baird Report, an official government review into the employment of women for police duties, which reported in 1920. Scotland was a bit behind the times in accepting a woman into the police, because the first women’s police service came into being a year earlier in 1914, and many of the first policewomen were former suffragettes. The two main suffragette organisations, the WSPU (W...

How Would You Describe Your Books? by Chris Longmuir

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I was asked this question by an agent after a Society of Authors meeting when we were walking, along with loads of other people, to the restaurant where we had booked a meal. Now, my usual answer to this question is that I write crime novels, but this was an agent, and he was expressing interest, so I had to think hard. How would I describe my crime novels? The answer I came up with was that I wrote dark crime. Darker than Agatha Christie, but not as dark as Val McDermid, although I thought I leaned more towards McDermid rather than Christie. And no, I didn’t get an agent contract, and the guy was probably only making conversation because we were in the same group. But turning over this simple question in my mind I’ve started to wonder what kind of books I do write. I’ve written the Dundee Crime Series, but the only thing that makes these three books a series is because they are contemporary murder mysteries set in Dundee with the same investigative detective team. H...

#How I Write (or not) and what about my more prolific and professional friends? by Julia Jones

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Photographs of John AA Logan don't exactly litter the internet I'm surprised to find myself having a go at this 'blog hop' challenge – but I was even more surprised (and rather delighted) when John AA Logan invited me to try. John's a fellow Authors Electric member but I've never met him and I don't feel that I really 'know' him in the social media world. There are some AE members (and Facebook friends) who I forget that I haven't physically met. They're so much part of my on-line life that I assume that we would instantly get chatting about 1001 things if we should discover ourselves sharing a cup of coffee or a glass of wine. But not John.  That's merely a recording of my impression: it's not a criticism or a judgement. Agatha Christie once said about Margery Allingham "If I say I don't at all know what she was like that is the truth and that makes her interesting to me." My impression is that (in the hackne...

Which box are you in?

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Which box are you in? Publishers have this unfortunate habit of placing authors in a specific genre box. If your first novel is romance, then you are a romance writer, and woe betide you if you step outside this genre. My first accepted novel, Dead Wood , was a contemporary crime one, although I had previously written a romantic saga. So, I was popped into the contemporary crime genre box and, if I was still with my traditional publisher, that is where you would find me languishing. My Dundee Crime Series Now, I am quite happy to be a crime writer, and I suppose I’m best known for my Dundee Crime series of books. However, I’m not sure that I want to be restricted in my choice of what to write. So, having successfully made the conversion to being an indie writer, I have a bit more autonomy. If you are wondering how I have exercised that autonomy, you have to look no further than my historical saga, A Salt Splashed Cradle , set in an 1830s fishing village. In that book...

Did You Know? Research Snippets by Chris Longmuir

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When I researched my new novel The Death Game which is set in 1919 Dundee I came across some interesting facts. The main character of my novel is the first policewoman in Dundee, and in the process of researching the origins of women police I came across many fascinating details. Did you know? 1 – The first women’s police service was formed by the suffragette organisations in 1914 when they abandoned their militant actions on the commencement of the First World War. 2 – There were two women’s police services in London at this time. The first of these was the Women’s Police Volunteers which later became the Women’s Police Service. The second service was the Voluntary Women Patrols. 3 – Between 1914 to 1918 the women’s police service was voluntary, although they worked closely with the official police forces. 4 – In 1918 the Commissioner of the Police, Sir Nevil Macready, appointed one of the voluntary services as an official women’s police force. Interestingly, h...

The Rocky Road to Publication

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The Death Game has finally made it. It’s now published as a Kindle ebook. However, the road to publication for this novel has been far from smooth. This was actually the first crime novel I ever wrote. Prior to this I’d written a historical saga which is now published as A Salt Splashed Cradle . I’d also written a lot of historical articles, many of them published in the US magazine The Highlander, as well as various UK magazines. So, I reckoned I was a historical writer. The Death Game went the rounds and met the usual thanks, but no thanks response. Although Penguin did seriously consider it, but at the last minute they decided they didn’t like it 110%. Now I’m no mathematician, but I did wonder how a writer could ever manage to reach that additional 10%. Nothing daunted I continued to submit and was over the moon when a new publisher ran a competition for the best unpublished crime fiction in the world – notice I said world – and I was one of the twenty winners. ...