Authors Electric

     This week I went to the opening night of an intensely moving play, in which my grand-daughter, Anna Munden, was playing a leading role. Anna's been involved in theatre from babyhood (my daughter's a costume designer, and my son in law creates stage sets) and from the time she was a toddler, has always wanted to be an actress. Until recently, she's been involved in touring productions, mostly in the South West, so this Covent Garden debut, at the Tristan Bates Theatre http://www.tristanbatestheatre.co.uk/transports.asp , was her big moment. And incidentally, getting serious reviewers to go to a Fringe production is every bit as difficult as getting reviewers to read and comment on previously unknown authors.      The play, TRANSPORTS, was written by Jon Welch, and it's very loosely based on the life story of Anna's other grandmother, who is a lot older than me. Her name is Liesl, and she's German-Jewish. As a fifteen year old, she was sen...

So, the guardians of our culture are now about to offer us an eroticised version of Jane Austen, having first taken note of the success of Fifty Shades of Grey - are these people publishers or bankers? The threat of ebooks does seem to worry them (what, authors taking complete control over their own work and making money? And sometimes quite a lot of money...) I've had a browse through the Fifty Shades, and like everyone else (don't tell me you don't do it) sought out the juicy bits, but since I like my sex embedded, like a jewel, inside a really good story, it didn't really grab me. At present, I'm re-reading (after decades) Scott Fitzgerald's The Great Gatsby , so my personal pov might well have been slanted. Has anyone been to the eight hour-long reading of this book? Apparently it's been a huge success, and I was tempted, but didn't think I could sit still for that long. From eroticism to passion, and passion in the act of writing. I have writ...