The Age of Reason - Umberto Tosi
Probably due to my advanced age, assembling a memoir, among my various writing projects, throws me back to a childhood that I remember in a time that now seems more like history than recollection.
Original "Hollywoodland" sign, 1938 |
UT & father, 1942 |
1939 Philco radio |
My uncles remained on active duty in Europe and the Pacific and eventually occupying Japan itself well after D-Day.
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WW2 P 38 "Lightning" |
My maternal grandmother, two aunts and a cousin lived with my parents and I in a sprawling, peeling, 1930s craftsman bungalow house in Hollywood (the neighborhood) with an overgrown back yard, shaded by fruit trees and a massive, drooping feral Calfironia pepper tree.
We could see the decrepit, then-pre-restoration, original, real estate development, "HOLLYWOODLAND" sign on Mt. Lee from our screened-in back porch. The whole property was destined for tear-down and redvelopment in the imminent, postwar California housing boom.
The allies finally defeated fascism. My favorite uncle,Vinny was first of my uncles and cousins to be sent on his way home (Yes, I was an Italian-American boy with an uncle Vinny. I addressed other aunts and uncles as "zia" and "zio," mother's hip kid brother Vinny was always "uncle.")
Uncle Vinnie stopped in Los Angeles on his way home from the Pacific theater, as did with several of my mother's first cousins, including Robbie, a Navy officer, a year later. Robbie had witnessed something terrifying that we'd only just glimpsed in movie theater newsreels, an experimental atomic bomb test that obliterated a South Pacific, Bikini Island atoll.
U.S. Bikini atoll test, 1946 |
Cousin Robbie and his fellow sailors and Marines, wore blackened glasses and protective gear to witness The Bomb light up the sky from Navy ships a few miles from ground zero. The Atomic Energy Commission announced that its tests proved nuclear war "survivable." No one I knew believed this. Cousin Robbie died of cancer twenty years later, perhaps by chance.
Louis Prima big band, 1940s |
Uncle Vinnie started getting work as a drummer and extended his stay with us, taking over a bedroom in which he practiced for hours, muting his drums but still making hour lives swing.
Once discharged, he traded his U.S. Army uniform for a shimmering, exquistely fitted, charcoal gray zoot suit, and pompedoured hairdo. He let a polished nail in his little finger grow impossibly long in the jazzman style for guitar picking.
He practiced wildly on his mother-of-pearl jazz drum set while my nonna rolled homemade pasta and simmered her magical ragu sauce in the kitchen. Meanwhile, my mother dubbed American films at nearby Paramount Studios for overseas Italian and Spanish audiences, while she rehearsed for her role as Mimi in La Boheme with a newly formed, local opera company hoping to garner support from studio executives and Pasadena's old-money donors.
Southern California seemed like another planet to my first generation Italian American family back then. We were displaced immigrants in a strange land far from the North End and our old Boston neighborhood where the old folks could get along speaking Italian and minimal English. It seemed as if all the other kids I met in first grade hailed from Iowa and Oklahoma.
Boston remained "home" to me and my parents. Los Angeles was a smoggy, unstable world of strangers prone to earthquakes where it snowed at Christmas once in fifty years and I discovered there was no Santa Claus.
W/bear 1940, Boston; novel: Chicago, 2020 |
I took refuge under the spicy lime green dome of that tearful, gargantuan California pepper. Its branches towered above our the house and drooped down, willow-like, to the ground creating a circular sanctuary within which I could play, concealed from the sight of my grandmother from her kitchen windows.
She told me - always in Italian - not to disappear into the pepper tree's lime green umbrella. I did so anyway, listening to a new, inner voice that arose from a sidewalk one day announcing cryptically, "Here I am..."
I had just turned seven years old and my uncle Vinny - giving me drum lessons - had an explanation - as he did for everything. "You've reached the age of reason," he told me in somber tones.
"At seven you become able to tell right from wrong," he told me as if it were revelation.
"Right from wrong...?" All new to me... I could barely tell right from left. In my late 80s, I'm still working on it...
"That's what the Catholic Church teaches us," he told me. His gray eyes fixed me from under his pretty-boy Frank Sinatra pompadour designed to make saddle-shoed teens swoon.
My "wisdom" was tested one Saturday morning the following week in our backyard. It had started to rain. It doesn't rain much in Southern California, but when it does, you get downpours and mud slides. Plus, Los Angelenos are notoriously bad, wet weather drivers.
I had slipped inside the pepper tree's dome to avoid the deluge, also because it was forbidden. Its shadowy magic drew me in.
Faintly, I heard my nonna calling me through claps of thunder from her kitchen window. She was going to be mad, maybe chase me with her wooden cooking spoon.
I had a world of my own that needed tending inside the pepper tree dome - toy airplanes and weapons, drawings, tattered books, a cot, creations of my imagination.
The tree's hard red clusters of peppercorns had matured and I was going to taste them to find out if they really tasted of pepper. They did, but hotter and grainier by the mouthful.
It was dry inside the dome. Wicked gusts, lightning and thunder roared from the downpour outside the dome, punctuated by the patter of hail. Real weather - rare in Southern California, but fearsome and ever lurking nonetheless.
Suddenly, I a storm gripped my tummy. Those hard little red peppers hit my bowels. But I didn't want to brave the storm. My grandmother probably would keep me in the house.
Clayton Moore as The Lone Ranger |
I pulled down my corduroys and made a deposit, finished with a handy chocolate Mars Bar wrapper, then covered the evidence with dirt and fern-like pepper-tree leaves.
I knew right from wrong. I was seven! And this was wrong!
It was lunch time. Nonna would be worrying and about to brave the elements with her cane and painful arthritis to cross the yard for me.
I parted the branches and ran inside the house to my nonna's Roman-accented Italian scolding as she served up a pranzo of gnocchi Alfredo, handmade from the previous night, with insalata, garlic bread and milk.
It was a hearty meal to make up for my "Americana" breakfast of Cheerios (the Lone Ranger's radio sponsor).
While I gulped my cold milk in fading hope of the squall's passing and my being allowed back outide.
I nearly fell from my chair when a flash of lightning lit up the kitchen! A monstrous clap of thunder followed, as a bolt struck the pepper tree outside. I still remember the smell of burnt peppers.
The lightning tore back a section of the tree's weeping branches where I had been squatting only twenty minutes earlier. My special delivery message about right and wrong from the God of Reason.
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Umberto Tosi is the author of Sometimes Ridiculous, Ophelia Rising, Milagro on 34th Street and Our Own Kind. His stories have been published in Catamaran Literary Reader and Chicago Quarterly Review where he is a contributing editor. He was a staff writing for Forbes magazine, covering the Silicon Valley 1995-2004. Prior to that, he was a section editor and staff writer for the Los Angeles Times and Sunday magazine, West. He was also the editor of San Francisco Magazine and Diablo Magzine and a contributing writer for the San Francisco Examiner. He has written more than 500 articles and stories for newspapers and magazines, online and in print. He joined Authors Electric in May 2015 and has contributed to several of its anthologies, including Another Flash in the Pen and One More Flash in the Pen. He has four adult children. He resides in Chicago. (Umberto3000@gmail.com)
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