Authors Electric

Last September, I wrote about tidying up my website and realising that a good percentage of links went precisely nowhere. It was very frustrating, realising that people I'd helped out clearly didn't feel the same way, and I lost a lot of work that I stupidly didn't have copies of, including a series of blogs I wrote for what is now called the Theakstons Old Peculiar Crime Writing Festival . Don't you just love the power (and money) of commercial sponsorship? Back in the day, It was the Harrogate Crime Writing Festival and I occasionally wrote for their blog for 4 years between 2011 and 2015, figuring it gave me some exposure amongst the big boys of crime fiction. I linked my own web site to each post and only discovered these links didn't work when I was doing my housekeeping last summer. Did I have copies? Of course I didn't. Why would I need them when any reader could just go to the link ... I tried restoring email archives, to find my original submissions, bu...

I have tried not to worry too much about AI, and even to welcome it, in its place, since one of my sons has been working with it in some capacity and I still feel it has the potential to help with scientific and medical research projects and that kind of thing. I can't imagine that Copilot, on the other hand, will be a help with anything.  I didn't intend to have to wrestle with Copilot, but it has recently invaded my Word documents exactly like a virus, and one for which there isn't any kind of antidote or vaccine. I think this has happened as an unintended consequence of an upgrade I've made to my Microsoft Office setup in order that I can experiment with their new-fangled tool for creating online databases. I did this because I've volunteered for years in various roles in a local community organisation, and some issues have arisen that I feel can only be resolved with a database, and of course Microsoft have used this moment to stop including Access in the Office...

  The Curative Power of Art A Reading of  Art Cure  by Daisy Fancourt This book is proof if any were needed that an engagement with the arts is good for us. The Art that the author Daisy Fancourt refers to in it belongs to several different creative areas, such as music, dance, poetry and storytelling, and she has followed the first of these throughout her life as an accomplished piano player. In her prelude to the book, she says that behaviour connected to the arts can have a big influence on our health. For example: ‘If children engage with art workshops, choirs, book clubs, dance classes, drama groups or bands they are less likely to be lonely or develop behavioural problems…’ Nor is this book just a speculative account. Throughout it the author tells us about her engagement with specialist academic teams in areas of Psychobiology and Epidemiology, for which she is a Professor at UCL, researching how biological processes relate to human experience such as the emotions....

Here’s a quiz question for you.  Just about every new writer will, at some time or other, be advised to ‘murder your darlings’. By which is meant not bumping off your nearest and dearest to give you AT LAST a bit of peace and quiet to create… but exerting discipline over what you’re creating. If you have written a passage you’re particularly proud of, with elaborate, flowery images, elegant use of words – the best of fine writing, in short – then delete it. The chances are you’ve strayed into a self-conscious writerliness, in which pace and plot have been sacrificed to draw attention to your own beautiful prose, or (in my case) to set up a joke I’m desperate to squeeze into the story.  It doesn’t work. The narrative must come first. Every bit of scene setting or character depiction, every scrap of dialogue and, yes, every joke needs to further the plot. Writing should be like a clear pane of glass. Photo by Magda Ehlers: https://www.pexels.com/ photo/rustic-wooden-window-overl...

  Why has a wider knowledge become so narrow? Every time I teach a new literary text to a student, I am excited to share the context of its historical period with them. Understanding the social and historical background to a text can help to bring it to life, illustrating what motivated the author, what they rebelled against or were shaped by, whether they realised it or not. It is crucially important when studying older texts, like Shakespeare or Dickens, which can seem so remote from the lives of young people today, but it is also important to remember that events which happened in the 1980’s and 90’s might as well be medieval to a 15-year-old. Studying Willy Russell’s  Blood Brothers   requires an understanding of Thatcherism and the politics that shaped the decade in which she presided over No. 10. Knowing the background not only enriches understanding, but it also helps to present the authors as real people with real lives. Furthermore, it is part of the curriculum i...

You can find the Book DNA site here. It's a site that aims to put people who love reading and books in touch with other people who love reading and books. You can join as a reader and/or as a writer (since writers tend to be book-lovers and avid readers often write.) You can put forward your favourite books of a year, as I've done here  ...and Book DNA will make you a beautiful page to show off your choices. Or, if you join as an author, you can choose one of your own books, and then show-case five other books which you think will appeal to a similar readership, as I did here... At the beginning of this post and again at the end, I have the opportunity to mention my own book of ghost stories, Hauntings . This doesn't cost the writer anything except the time spent compiling their choice of books -- which, as always, is rather a pleasure. And I noticed a definite up-turn in the sales of my ghost stories after posting this.  The Book DNA site is building a community of reader...

This month I'm reading some non-fiction aimed at adult readers: The Spell of the Horse and its sequel The Spirit of the Horse . The author Pam Billinge offers Equine Assisted Therapy with her small herd of horses and ponies, which together with the associated Equine Assisted Learning are becoming more popular in the UK as beneficial therapies. Simply being around horses, it seems, works wonders for people, and with the guidance of a trained facilitator time spent with the herd can be as powerful as any conventional medicine. These two books combine Pam's personal equine journey with selected case studies (names and details changed to protect clients) to make an interesting and digestible read.  The Spell of the Horse The Spell of the Horse  begins with Pam bonding with a mare called Carabella on a riding holiday in Spain, and noticing how her own horse reacted when her mother was diagnosed with terminal cancer. As the book progresses, we meet the various equines that have acc...

Image Credit:  Images created in Book Brush using Pixabay photos. It is ironic the longest month ever, January, is followed by the shortest, February. Writing wise, it gives me the shortest time to prepare my next author newsletter, due in March, but I discovered long ago the joys of drafting in advance so I add to my draft as the month goes on. I do likewise for my blogs and articles. It takes the pressure off.   I enter a number of reputable flash fiction and short story competitions in the year. It’s fun to do and a great challenge (and I always look for those where it is free or the fee is reasonable).    I’ve found it useful to take a week off any official deadline and make that the day I submit my entry. I pencil into my diary when I need to have my first draft done by, my first edit, my second one, and the final one to check for those pesky typos which have escaped the previous edits. I wish I could say there weren’t any but I’ve found it pays to assume there ...

My great-aunt Dorothy, and her mother I used to get a lot of fanmail, in the days when the Divide trilogy had just been published, a fantasy aimed primarily at the 10 – 13 age-group, although there was a lot of subtext intended to appeal to the parents... Apart from all the requests to be sent free books, some of them led to real friendships, even transatlantic ones. I am still in touch with the one that said: I bet you don’t get many emails from 26-year old men.           But I can go back a lot further than 2003. The first stories I ever had published were in the Evening News, a newspaper that is now sadly no more. This one was published in June, 1978. I’ll put what I remember of the letter I received after the story. The other amusing this about it is a photograph I discovered after my mother’s death, of my great-aunt Dorothy. She was the nearest I ever had to a grandmother, and she was huge fun.   The old ton-up fossil There wa...

  AI brings us all to Plan A or Plan B, each of which has its gradations. Plan A, at its extreme, allows the use of AI as an equal or even main partner in the creative process. Hardline Plan A-ers may yield to all of their AI's stylistic suggestions as commands. Along with most of the writers I know,  I find this repulsive. If I want an incomplete sentence or a dangling participle or some dated slang, it's my book and the decision is mine.  Even so, I found myself in a quandary with a completed novel I'd worked on for six years and had had professionally edited. You see, after four traditionally published horror novels, I'd turned to my first love, crime thrillers, and worked in a shorter form--40K words--for more than decade. The short length was a deal breaker for any agent I approached. But I loved working in tight spaces with no padding. So, no tears. My refusal to compromise cost me a traditional career, bringing me to the company of other indie-minded authors. ...

  On a dismal February afternoon, I got to thinking how food plays an important part in all my books. It’s never centre stage, but it often underlines how my characters are feeling, or is symbolic of what is going on in their lives. In “House of Shadows” my time slip novel Jo Docherty has an issue with food. When anxious or stressed, she cannot eat and at the beginning of the book she is struggling with the aftermath of yet another miscarriage and what feels like a failing marriage. Moving away to her studio in the grounds of Kingsfield House she is haunted by a girl in a blue dress, the girl who she played with as a child, but who lived two centuries before Jo was born. As the past encroaches and the sense of menace grows, Jo looks for help. Helene and Cecile have an insight into the occult and the danger that lurks in Kingsfield House, giving Jo hope that somehow she will be able to deal with what she must face. It is at this point that Jo bakes her Florentines. “In the bri...