"THE TIME TREE" film, screen-writing, and sixteenth century fear of witches, by Enid Richemont

Well, the secret I've had to hold back on for two years is now out, as, if you follow me on Facebook, you'll already know. The modest film deal I've referred to from time to time was based on my first children's novel, THE TIME TREE, published by Walker Books in the early Nineties, and a first for them, too, as it was the first time they'd published a children's novel. The book stayed in print for ages, and seemed to grab people in a very special way. It's a time-slip story - a magical encounter, via an ancient oak tree, between two contemporary eleven year old girls, and a profoundly deaf Elizabethan girl of the same age. It's a book that grabbed a very close friend who works in the media, and who had always seen it as a film (I didn't) so she pushed me into writing a screenplay with a number of plot extensions and developments, which was challenging and exciting. Writing for the screen is SO very different from writing a novel, because the who...