Authors Electric

  I have just read First Person,  Richard Flanagan's new novel about a hungry young novelist struggling with ghostwriting the life of an impossible con-man for a demanding publisher. It captures exactly the sort of despair we have all faced at times when trying to make a living in the creative world. I think perhaps texts such as this should be recommended reading on any vocational creative writing course and in every art school, (and every drama school come to that), in order to test the mettle of the would-be creatives. I remember as a teenager reading Keep the Aspidistra Flying by George Orwell and Of Human Bondage by Somerset Maugham and being both excited and appalled. Excited by the prospect of escaping an ordinary life in order to be a great poet/artist like the heroes of these books, and simultaneously appalled by the poverty and rejection that they have to face as a result of their choices.   If you can read books like these and st...

I first published a version of this article in the Guardian on-line, so please forgive me if parts of it sound familiar.  I left school with a burning urge to lead the life of a writer; travelling like Byron, fêted like Wilde before his fall, creating laughter like Wodehouse and crafting sentences like Nabokov. I had no professional contacts so I wrote my masterpieces speculatively and every path I went down ended with a rejection slip or total silence. The perceived wisdom then, as now, was that earning a living as a writer was about as likely as winning a lottery. Then I discovered the secret of marketing. Instead of writing things and trying to persuade people to buy them, I would find out what writing services people needed and offer to provide them. So, at the same time as begging publishers and editors for commissions, I made myself available to anyone who might want to write an article or a book but did not feel able to do it for themselves. I have ju...