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Showing posts with the label Hachette

Back burner work, feisty princesses and Easter dragons, by Enid Richemont

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I have written in previous blogs about my personal problems with Spring, and so here I am, in London (the UK one), facing, yet again, the horrors of a daylight which, like a fractious toddler, will be less and less inclined to sleep, plus the weather which can, as the mood takes it, veer from idyllic sunshine and pretty blossoms to icy wetness, and indeed, as has been recently forecast, even snow. I would choose, instead, to live in a perpetual Autumn - days full of dazzling colours followed by the quiet and introverted comfort blanket of early evening. I'm still, reluctantly, impressed, though, by all those amazing things coming out of the ground in my garden, and love the sleepy bumble bees - so strokeable (if you dare) but I welcome not the return of the house flies. I spent a profitable hour late this afternoon in conversation with author (and friend) Rosalie Warren, who also regularly blogs here. Ros is the author of a futuristic novel: LENA'S NEST, with its hypnotic c...

ORGASMIC CONCEPTS, MAGIC BOWLS and EDUCATIONAL PUBLISHING, by Enid Richemont.

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My latest children's book with Franklin Watts is called "MORE" , and it's a re-telling of the classic folk tale of the magic bowl which fills itself with whatever food you might wish for, as long as you follow the rules which aren't really that difficult. However, there wouldn't be a story unless something goes disastrously wrong. There's a Grimms version of it, involving a poor soldier returning from war, whose bowl is stolen at an inn and then misused, but there are many others.  In my version, it's a greedy maharajah with a serious eating disorder who covets the bowl. and here he is in all his overblown glory, as portrayed by my brilliant illustrator Shahab Shamshirsuz. The maharajah will demand the bowl owned by the young son of a poor family (which of course he gets because they have no choice) and takes it back to his palace in order to stuff himself whenever he feels like it, but oh dear! There is a quite serious problem which only one person...

Gatekeepers – You Choose – Publishers or Readers? by Chris Longmuir

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I’ve been thinking a lot lately about gatekeepers, and who decides what readers should be allowed to read. I suppose this has been instigated by the Hachette/Amazon dispute, with Hachette wanting to maintain high prices for their e-books and Amazon stubbornly resisting this in favour of a discounting model. Now, I’m not going to get into an argument of who’s right and who’s wrong, let the big boys slug it out. However, the niggling thoughts about gatekeepers keep on invading my mind. It has long been accepted that publishers are the gatekeepers, but is this a good thing? It is generally accepted that in order to be accepted by a publisher a book has to be well written and that the badly written books will be weeded out. Excuse me for a moment while I have a snort of derision as I think about Fifty Shades of Grey and all those celebrity memoirs. You see, it’s not really about quality. It’s about money, and whether the book will sell in sufficiently large amounts to earn the p...

Uncomfortable Statistics - Kathleen Jones takes a look at the current state of publishing

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Uncomfortable Statistics for traditional publishers - Good news for Indies -            The Big 6 are not so big any more.  According to the latest figures for 2013, Penguin Random House came top of the table with a 24% share of the market, but its sales were down £342m (15%).  All the others - Hachette, HarperCollins, Pan MacMillan, Bloomsbury, and Simon & Schuster were also down.  Their total share of the market was only 59% - down from 70% in 2001.  Is this a sign that their dominance of the book trade is fading?  I think it is.  But they won't go down without a fight, so - more turbulent times ahead. The end of Constable and Quercus           The hope of many 'mid list' and 'literary' authors dumped by the Big 6 for commercial reasons has been a group of valiant and well-respected independently owned publishers still willing to take on authors for...