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Showing posts with the label Janet Frame

Making a House of Words: Writing in Exile by Kathleen Jones

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I'm in New Zealand at the moment, visiting relatives and friends and re-visiting much loved locations. It's a weird sensation being in a place where I've spent so much time over the years, but yet can never properly belong. There's a sense of both homecoming and exile. Janet Frame Janet Frame, one of New Zealand’s best-known writers, wrote that ‘All writers are exiles wherever they live . . . and their work is a lifelong journey towards the lost land.’*1  Perhaps this is because, as writers, we have to stand outside our own experience and look at it objectively in order to write about it. We're always trying to get back to the 'lost land', those moments experienced and gone, at the core of our imaginative lives. But many of us are also physical exiles. Few people live in the place where they were brought up and the moment you move away from your native territory and look at it from the outside things will never be the same again.  Your mind is alwa...

THE PSYCHOLOGY/PSYCHIATRY OF DOING WHAT YOU LOVE by John A. A. Logan

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The Russian, Fyodor Dostoyevsky, has been oft-described as one of the first “psychological novelists”; followed up, some would say, by the 1890 publication of HUNGER by the starving, post-tubercular Norwegian, Knut Hamsun. Tough books, coming from the toughest of experiences/life stories…nothing precious about Dostoyevsky or Hamsun. They both seemed to set down the facts/details of a decade of suffering and survival in a first book: Dostoyevsky in HOUSE OF THE DEAD, Hamsun in HUNGER. But, this done, they would tend to let the imagination and spirit soar in the following books…the facts and details of their histories still embedded there though, felt, sensed, like psychological rock strata, unyielding. D. H. Lawrence, the English miner’s son, took on the “psychological” penetration of that rock strata next, delving deep, fusing the exploration with elements of impassioned drama and story which brought such a potent mix of public acclaim/disapprobation. While, in Cze...