Authors Electric

Image Credit:  One photo taken by me, Allison Symes. Other images created in Book Brush using Pixabay photos. It has been a funny month. Had a fabulous Scottish holiday. Then came home after a swimming session to find I’d been burgled. Thankfully my dog was okay. They locked her in a room. We’re okay but it has brought home the joys of creative writing. I planned to write about this topic anyway but it is with more feeling I do so now!     Why? Because it was therapeutic to get back to writing after dealing with other matters. It was a relief to be creating characters for stories and working out ideas for blogs, including this one. It was good to resume my normal writing life. There is something about the creative arts which is good for us. I guess it is because they give us an outlet. I have yet to decide whether some nasty burglar gets their comeuppance in a future flash fiction story. If I do this, I shall enjoy every moment of writing it! I suspect you’ve seen the cof...

Most writers realise reviews help sell books. Grief even the courses I teach via WOW have reviews attached to them (and before you ask they are real reviews written by real students). To demonstrate what I mean I pulled a few books from my shelf and discovered many had a review or two on the back cover: The Writers' and Artists' Year Book (a little dated 2010) The Writer's Handbook (again a little dated 2010) The Writer's Journey by Christopher Vogler The Penguin Guide to Punctuation How to Write a Children's Picture Book Volume 1: Structure by Eve Heidi Bine-Stock So what options do you as an author have for obtaining these reviews? Well you could follow the route traditional publishers have used for decades by sending out review copies and keeping fingers crossed the book is reviewed. You could perhaps offer a give-away as I did via Amazon with my children's picture eBook 'Clever Rabbit....

This will be a post in two halves. I'm tutoring an Arvon course next week (last week, by the time you read this): "Writing for Teenagers", at The Hurst, deep in the Clun Valley in Shropshire, with Celia Rees as co-tutor and Gillian Cross as our guest. My blog post will be due just two days after I return home, in a state of exhaustion and excitement if previous courses are anything to go by, so I'm getting some thoughts down now. First, a bit about the Arvon Foundation, for anyone unfamiliar with the organisation. They own four centres: Lumb Bank (once owned by Ted Hughes) near Hebden Bridge; The Hurst (the last home of John Osborne) near Craven Arms; Totleigh Barton in North Devon; and Moniack Mhor near Inverness. Courses run throughout the year, each lasting from Monday until Saturday, with a maximum of sixteen students. The format is generally similar: workshops, discussions, one-to-one tutorials, a guest reader, and group readings; course subjects include screenwr...