Decorated elephants and turning the bones - by Elizabeth Kay
I have frequently used my travels abroad as inspiration for settings – but that tends to be stills of scenery, buildings, wildlife, enhanced by the personal memories of sounds, smells and tastes. Animating them can provide excellent and unusual opportunities for drama. Film does this particularly well, with people running through parades to escape pursuit which mostly consist of brass bands or cheerleaders. But there are so many other possibilities. And the more ethnic it is, and the more aimed at the local population the better. Although we are all travelling far less these days, it is always worthwhile checking for local festivals or events. Having your hero dodging between decorated elephants or fishermen with cormorants against a backdrop of bridesmaids is a lot more interesting.
One of the first events I encountered
– by accident – was in Karnataka, in India. We had struck out on our own, with
just a driver, and were in a tiny village, quite a long way away from any major
towns. Suddenly we heard disturbing sounds
like distant gunfire, and it was getting closer. Our driver had no idea what
was going on, and all of a sudden the road was blocked by people. The gunfire was
firecrackers. A well was being dedicated to some deity or other by a small
parade of people, who appeared wearing colourful costumes and chanting.
When we asked if we too could take photographs there was enthusiastic assent – with a surprise addition. Would we be in the photographs too, as a western guest, however randomly appropriated, was a status symbol?
Undoubtedly the weirdest gathering I have ever attended was Famadihana, in Madagascar, the turning of the bones. I had read about this before I went, but never expected to see it. The rest of the party on the bus simply didn’t believe me when I told them them that once every seven years or so, bodies of the departed would be brought out of the family crypts and the remains unwrapped. There would be a big party, with neighbouring villages invited, lots of food and a band. The role of the band was to play very loudly to summon the spirits of the departed back to their bones.
The descendants would ask their ancestors important questions, such as who they should marry, and which crops to plant that year. I spotted preparations being made on our way to a glaciated lake in an isolated area, and asked the guide whether it really was Famadihana, and whether we might be allowed to stop on our way back. Oh yes, he said, my grandparents will be there. Eventually the penny dropped, and I realised he meant their remains. We didn’t stay for the unwrapping, just the preliminaries, but we saw five shrouds lined up on trestle tables. There were a couple of doctors in our group, who were very curious, and one of them slipped over to the table and lifted a corner of the sheet. He told us the bodies appeared to be mummified, which made the whole practice rather less of a health hazard than anticipated.My last example is bittersweet, as it concerns Ukraine. It’s a religious country, and Easter is very big over there. Egg-painting is a popular activity, and so are gatherings in traditional costume at significant sites. On Easter Sunday everyone goes around flicking water at everyone else and saying, Christ is risen. To which the appropriate response is, Indeed He is risen. (Khrystos voskres - voistynu voskres). What was so lovely, in these days of virtual reality and junk food, was to go to an outdoor museum of rural buildings and see young men playing leapfrog and families dancing together. Sadly, those times are gone. Let's hope they will return before too long.
So
think about your settings – would dodging between decorated elephants, or disguising
yourself as a trumpeter in a Famadihana band be a more exotic possibility?
Comments
Great post, thank you
But I will look forward to your blog.