Writing about bereavement , by Elizabeth Kay
Pinky and Perky |
We’ve had a pair of pigeons that made our garden their home. They were easy to identify, as one of them had particularly pink feathers, and was inseparable from another one with standard rock pigeon colouring. Pinky and Perky. I only realised that it was the pink one that was the male when he made overtures to another pigeon of exactly the same colouring as his mate, and was thoroughly duffed up as a consequence. He remedied his mistake later, by consummating his marriage very publicly on a neighbouring rooftop. Pigeons mate for life, although they may take another mate if one of them dies. And then Perky disappeared. Pinky seemed completely lost, spending a lot of time sitting in the water bowl and scanning the rooftops. We really felt for him, as he was off his food and couldn’t even be bothered to preen himself. This got me thinking about grief, and how bereavement has affected me over the years. And how well do writers describe it? Not very honestly on the whole, although war poetry has often served the purpose for men, who otherwise only get emotional about football. It seems to me that it’s relatively recently that books have dared to describe the relief you may feel about losing someone close to you – it’s taken a while to get over the sentimental Victorian legacy of children turning into cherubs, and a tone-deaf relatives joining the choir of angels.
I felt very
differently about the deaths of my parents. My father went suddenly at the age
of 81. I was very close to him, and despite his age his death was a terrible
shock. My mother coped very badly, and wouldn’t discuss anything so his funeral
was a miserable affair with no memorial, no music, no eulogy, nothing. Six of
us just sat there for ten minutes, watched the coffin disappear, and left. Eventually
she came to live with me and my longsuffering husband, and it was hell. She
refused to babysit, and I had to be at her beck and call instantly. She died
two years later, after refusing to ask her doctor what was wrong with her. This
made it very difficult to look after her, as patient confidentially made it
impossible to find out anything. Her death was a different sort of shock. I had
panic attacks. I couldn’t let myself feel the relief that she was no longer
looking over my shoulder to tell me off for something I was doing wrong. At
least I gave her a proper send-off. She herself had refused to go to any family
funerals, and sent me instead. I was the only child of elderly parents, and
there were no close relatives. She did manage to get at me ten years later,
though – a distant cousin gave me some letters she had sent to her brother, Roy.
She didn’t read them, just gave them to me. They were all about what an awful
person I was, and how I couldn’t be trusted to do anything right. Thanks, mum
Carole on the left, me in the middle, aged 14 |
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Carole in Cairo |
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Vera Rich |
My distant
cousin Roy was a gentle soul, who never married and had clearly been born into
the wrong century. I wrote this poem for his funeral, the last family one I
ever attended.
When roses knock
against the window pane,
Or silver birches
ruffle in the breeze,
I’ll take a moment,
think of you again;
You saw the things
that had the power to please.
You took bad news
with equanimity,
You gave new meaning
to the word polite;
It wasn’t part of
your philosophy
To rage against the
dying of the light.
For such as you, the
world was not a stage -
It was a mansion
with a million doors;
Although you
hungered for a bygone age,
With values that
this century abhors.
Born a hundred years
too late, you said;
You haven’t gone,
you live on in my head.
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