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The brave new world of cli-fi? By Alex Marchant

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In 2006, I started writing seriously again (‘seriously’ in the sense of aiming for some sort of goal; ‘again’ in the sense that I used to write in my teens and early 20s, but was sidetracked by that annoying thing called ‘life’). Little did I know at the time that I was embarking on an example of what was then a newly coined genre of fiction. Or in fact, not yet quite coined, as I discovered this week. That newish genre is ‘climate fiction’, or ‘cli-fi’ for short – an abbreviation that is rather apt as often cli-fi appears as a theme within science fiction, although it can be found within many other genres. The term was apparently coined in 2007 by journalist Dan Bloom, although it didn’t take off in the literary mainstream until 2013. Climate change was a theme within fiction for many years before either date (for example, Jules Verne’s  The Purchase of the North Pole (1889) and Ursula Le Guin’s The Lathe of Heaven (1971) – it was just that by 2013 it was recognized as...