Authors Electric

Below is the opening to my very first (unpublished and unpublishable) novel. It was lovingly hand-written in a fancy binder in about 1978 when I was fourteen. No computers back then and nobody even had typewriters at home. I got a manual typewriter when I was seventeen or so, as I recall. It was (is) a crime novel, inspired by a dream I had, and was written in the evenings when I wasn't particularly happy at school and didn't have much of a social life. I don't think I ever showed it to anybody except perhaps a girl at school who did type some of it up for me - although that may have been novel number two when I was seventeen. Neither novels have ever been edited and I've never attempted to submit them or self-publish. They're nowhere near good enough and being only fourteen would not have cut it! So I’ve typed this up exactly as it appears in my binder, which I still have in the filing cabinet. Every missed comma and dodgy sentence structure! I don't think I...

I grew up writing fantasy. I say that literally – I wrote my first novel aged 15, and by 18 or so, I was well into a fantasy novel. I remember at about age 10 or 11, finding a paperback of Robert Heinlein’s Stranger in a Strange Land on the bookshelf of a family friend; I borrowed it and I was hooked. That and a passage from Aldous Huxley’s Brave New World in English at primary school gave me a love of everything fantasy and science fiction, and in my teenage years I worked my way through all of Heinlein, Wyndham and most of the Robert Hale yellow-covered hardbacks in the library.  My first short story sale was fantasy. Fairly mainstream fantasy that was ‘normal’ enough for Bella magazine in the early 1990s. Most of my short stories after that ranged from outright horror, through dark fantasy and into science fiction – I have a collection of stories available in Maniac & Other Stories . The lead title story is the one from Bella magazine. It won second prize in their twist ...

 June is Crime Reading Month! The Crime Writers' Association has joined forces with The Reading Agency to promote it. There are lots of events up and down the country and you can find out more by going to  crimereading.com  . It's seventy years since The CWA was created so there's plenty to do. And of course, I've arranged something too. This is the perfect time to launch Murder In Merton: Crime Writing Events. First up, this coming Saturday 10th June 2-4pm at West Barnes Library, we have a Crime Authors Fair. With Sarah Clarke, Lucy Martin, Biba Pearce, Amer Anwar, Alex Khan and ML Rose. The authors will be free to chat with readers, with a more formal talk from Amer Anwar at 3pm. Books will be available to buy and there will be refreshments at a small cost. Entry is FREE and no booking is required. There will be a competition too! On Tuesday 20th June 7-8.15pm at Wimbledon Library, I'll be interviewing Robert Gold, Olivia Kiernan and Saima Mir about their latest n...

  After a few months delving into the classics, I’ve now gone back to reading more in the genre I write – when asked, I usually say ‘crime’ as that’s easier than saying, ‘Well, it’s a mix of dark psychological thriller with occasional horror thrown in, plus a bit of action and adventure on the side.’ The truth is, as I suspect for most of us who write, it’s hard to pigeonhole oneself into a specific box. I write stories; that’s the more honest answer, but give that as an answer and you get a frown, followed by, ‘Well yes, but what sort?’ For me, writing is a way to tell a story. That’s my motivation. It’s a way to explore topics I’m interested in. The genre I write in is secondary to that. I generally choose crime, as I enjoy reading it, and I understand the structure. But another writer may take the same idea and approach it from the opposite direction, with equally valid results. I think the same holds true for the reader – each reader’s life experiences will shape their percep...

I have written horror and crime for some years now and I do have a reasonable library of books to fall back on but sometimes those little details need to be checked, and it is so easy to do that online.  It occurred to me this week, however, that the browsing history of the average writer must ring bells somewhere on some watcher-server in some secret place.   It goes as no surprise to those who know me that I own up to being a compulsive researcher, spending hours looking into small details that are a sentence – nay half a sentence.  Now on occasion that could be classed as classic displacement activity  -  but then again it never hurts to check. In a recent read the female protagonist catches her skirt on the mistletoe. That sentence pulled me up sharp. Was she tiptoeing through the tree tops? Not that I could see.  A quick search confirmed that mistletoe varieties native to the UK are to be found growing on trees.  A minor p...

What is it with crime? We’re obsessed with it – or the people committing it. I admit I’m probably slightly biased in that I work in law enforcement and so my day job usually concerns crime in one form or another, but at least I have an excuse to be a crime writer! My first crime novel was inspired by the day job; having spent a few years investigating heroin importations, I wanted to look further down the chain at street drugs and how they might affect lives. And so I found my teenage Michael, dumped by his girlfriend in a club on his seventeenth birthday, and I needed to tell his story … But look at the best-seller lists. On Amazon or in your local bookshop of choice. In my case, there is no choice: Northwich has WHSmith and that’s it, unless you count the remaindered stock in The Works – and really, I just don’t get how I can find remaindered stock of books that were only published a mere two months ago! The shockingly short shelf-life of the mid-list trad-published author do...