I am a writer. Am I? by Sandra Horn
A good while ago now, when I was a very junior Psychologist,
still working under supervision, I was given an office recently vacated by a
Social Worker. In order to make the change clear, so that I wasn’t bothered all
day long by people looking for her, my boss commissioned a new sign for the
door. The hospital carpenter interpreted the instruction ‘clear’ to mean
letters about six inches high. I came into work to find PSYCHOLOGIST screaming across the door. I
couldn’t help thinking of Lucy from the Peanuts cartoons, sitting behind her
orange box under a sign which read THE DOCTOR IS IN. This wasn’t funny, though. I felt a total fraud
– hadn’t even completed my finals at that point. It should have read trainee psychologist. Now, whenever
anyone asks me what I do and I say, I’m a writer,’ that writ-too-large
Psychologist sign flashes into my head. If I had a sign on the door here, it
would read Writer?
This was brought to mind by a recent post on Facebook –
words to the effect of (can’t remember exactly) ‘Don’t call me a
procrastinator! I happen to like working at the last minute of a panic-stricken
deadline.’ It made me smile and cringe at the same time. Not that it’s always
last-minute with me, but I do need a deadline to focus my thoughts quite often.
I picture all of you, dear Authors Electric, with your ordered lives, treating
writing as a proper job, at your desks in the morning... and here am I, a rank
amateur, pithering about and letting myself be put off by a mood, domestic
trivia, a bit of a headache, etc.etc. I find it odd – I write because I need to;
to paraphrase Vila, the thieving character from Blake’s 7, which some of you
may remember, ‘A writer is not what I am, it’s who I am.’ So what’s all this
procrastination rubbish about? I wish I knew. I’m absolutely sure that
creativity and chaos don’t need to go hand-in-hand; writers do have tidy desks,
organise their research effectively, keep regular hours. Other writers, that
is. Proper writers.
Strangely, give me a brief and a deadline, and I’m a model
worker. I’ve never yet had to ask for an extension when I’ve agreed a finish
date. My poems for BBC Active teachers’ packs were a joy to write (rewrite,
rewrite), for example, to very tight requirements and timescales. I loved
working like that. Leave me to my own devices, though, and I’m prone to setting
myself near-impossible challenges, for one thing, never mind the moods,
headaches, domestic stuff. My never-to-be-finished YA novel ‘Fire and Silence’
(running title) has a mute central character, for example. I’ve tried changing
it so that he speaks. Disaster. It doesn’t work. He IS mute, and that’s it and
all about it. He came like that. That means changing the POV from time to time.
So be it. So be it for over twenty years now, and counting. For my play ‘Little
Red Ella and the FGM’, the challenge was to write about FGM in a way that
allowed discussion to open up non-threateningly for young people; discussion
about owning one’s own body, about the power of tradition and cultural
imperatives. Finally, with about four hours to go to the deadline (Yes, it was
one of those times!) I got it into pantomime-like rhyming format and sent it
off. Inspiration plus perspiration.
I do like a bit of inspiration. That’s how The Mud Maid came
about. I saw the sculpture and her story just fell into my head. No pithering
about there, I sat down under a tree and scribbled the outline, then worked on
it with commendable efficiency and despatch. If only it could always be like
that! Many inspirations are still in note form somewhere, the initial spark
having failed to kindle the fire. Or they did produce an end result which was
then rejected comprehensively by everyone. Clearly, the sparks were not divine.
Tomorrow is the deadline for finishing this blog. Also for a
re-submission of a play wot I wrote, which needs some re-writing. And we’re
nearly out of bread. And I think I have a headache coming on...
Comments
As I tell the students in workshops I give, writing is a skill rather than a gift, But being a writer is more than having that skill; it's a compulsion, a way of seeing, a need to satisfy our curiosity. I remember very clearly (and with the same rush of pleasure) the first time I had the label applied to me 'officially'. A BBC radio producer, to whom I'd sent what I now see as woefully inadequate playscripts, mentioned me to the late Tony Church, who was the director of the newly opened Northcott Theatre in Exeter. Tony got in touch and invited me to come and have a look round. Despite feeling that 'there must have been an administrative error' or 'it's a case of mistaken identity', I went along. Halfway through my tour, we met the stage manager and Tony said 'This is Bill Kirton. He's a writer'. That was nearly 50 years ago but the buzz it gave me is still fresh, as are the suspicions of adminstrative error and mistaken identity.