What's the weather like? by Elizabeth Kay
In the UK we tend to be very preoccupied with the weather. Which may seem strange, when we are not a country of great extremes. A few snowflakes are a talking point, and rain is a disaster when a cricket match is in jeopardy. The old joke about what to do in a drought; a lot of men in white walk onto a field, the shaman tosses a coin, and it starts to rain. We did have a real heatwave last summer, but we weren’t prepared for it and few houses have air conditioning. It’s just not needed normally – open the window for a bit. Of course, you may well need the central heating on instead for a day or two in August. We get fog, but not that often, we get ice, but not that often either. Which is why it is such a shock when we travel abroad and find out how well they cope with such disasters as a couple of centimetres of snow, or a bit of wind.
The public
transport elsewhere always seems to function. If a bus is two minutes late in Tromsø, up in the Arctic, people
look at their watches, shake their heads in dismay and make tutting noises despite
the fact that the snow means you can’t even see across the road. If it’s 45⁰ in Morocco, they just stay
inside in their nice cool houses which are designed for such eventualities. The
houses in Greenland are designed for just the opposite, and are toasty warm.
When I first went to Poland for Christmas in 1965, the tall ceramic stoves in
the corners of the rooms were a miracle compared to the one bar electric fires
at home, much cheaper and more efficient to run. The boardwalks in Costa Rica up
in the rain forest meant that you go shopping without sinking up to your knees
in mud, and the tarpaulin in the open truck in Zambia could be rapidly pulled
over your head to shield you from raindrops that were so big they hurt. I
liked the saying in Iceland, though. If you don’t like the weather, don’t
worry. In five minutes’ time it will be completely different. And how true that
was. We went into a café in bright sunlight, and when we came out we couldn’t
even find our vehicle in the snowstorm.
But it’s unusual weather that is so
useful for a writer. It creates atmosphere; a cloudless sunny day makes for a
romantic walk in the countryside, but dark clouds overhead suggest trouble. A
thunderstorm is always good, but finding a way to make it original is harder.
It’s been used so often. The the rumble of thunder that heralds the arrival of
an assassin, the flash of lightning that illuminates the killer, the deluge
that makes escape impossible. It’s by focusing on the tiny things that can
really make a difference. Rain? The leaky gutter, lots of frogs, the overflowing
drain. Snow? The footprints of a rat, the skidmarks on the road, the noses of
the children pressed to the window panes, marvelling at such an unheard of
event.
Cloud iridescence |
Rainbows are pretty, although they been hijacked by the Woke
community. Raindrops on spiders’ webs are worth a line or two, and the spray from waves on
a headland in a storm are good. Frost can be more beautiful than snow, and ice
patterns on window panes are excellent. Weather is mainly visual, although the
hush during a snowstorm or fog can be spooky and rain beating on a tin roof as
noticeable as the wind howling down a chimney. Don’t forget touch – I had spectacles
iced to my face in Greenland, sunburn in Kenya and the wind blowing my hair into
my eyes (as well as blowing down the tent) in Croatia.
Fog by the River Mole |
I know using the weather to set the scene is often called the Pathetic Fallacy, but that’s when you attribute human feelings to phenomena. The miserable rain, the angry clouds, the cruel sea. Personally, I don’t mind it. I’d welcome a spot of cheerful sunshine.
Comments
You can also create great effects by having the weather reflect the opposite of what's going on in the story. A cloudless sky, warm summer sunshine... so where is this icy chill coming from? Brrrr... Picnic at Hanging Rock did this brilliantly.
Great post, made me think.