In Two Minds (at least) by Bill Kirton

Somewhere recently, (the fact that I don’t offer you a link to who and where it was is down to my laziness), I heard or read an interview with an actor who talked about needing to have a ‘dual consciousness’. In crude terms, he meant inhabiting the consciousness of the character he was playing but simultaneously being aware (as himself) of the mechanics of what he was doing – the director’s instructions, the audience’s reactions and so on. And I’ve frequently said the same sort of thing about how writers operate. It applied particularly strongly as I was writing the last few pages of my most recent novel (‘recent’ as in 2016. See above: laziness). Those pages covered the resolution of the relationship between the two lovers in my story. I knew and know them well. They’d already lived through my novel The Figurehead , where they met and their love started to grow, and part of the reason for writing its sequel was that some readers had actually said they wanted to know what happe...