The Ups and Downs of Wildlife, by Elizabeth Kay
I have frequently plundered my wildlife observations for characters. From The Wind in the Willows to Watership Down , it’s been a staple fare for so many authors as it’s direct observation that informs the writing, rather than second-hand information. That’s the way that errors creep in. Many years ago I was illustrating a natural history book, and one of the items required was a swordfish. Like most people, I imagine, I assumed a swordfish was black on top, and silver beneath. Random house, the publisher, sent me a lot of information from the National Institute of Oceanography at Southampton, and to my surprise I discovered they were copper-coloured. The first books to illustrate fish were printed in black and white, and what happened subsequently was that illustrators relied on these pictures, made assumptions based on other big fish like tuna, and got it wrong. (Actually, even tuna have a yellowish stripe down the side.) ...