The Barong and Kris Dance - Elizabeth Kay
It’s easy to forget how storytelling in our own culture tends
to obey particular sets of rules, which we take for granted. There’s usually a
cause and effect story arc, and on the whole good triumphs over evil. Characters
are explained for the benefit of those in the audience/readership who may not
have the same background, and you’re left with a sense of completion, which is
the culmination of a plot with a beginning, a middle and a conventional ending. That’s
not the way it is everywhere, though!
I’ve
recently returned from a holiday in Indonesia, part of which was spent on Bali.
We were told we were going to see some traditional dancing, but this turned out
to be a sort of play with an authentic gamelan band.
Sadly, the Balinese youth
of today are more interested in rock music, and it’s reckoned that this event
will die out in five years as the performers become too elderly to continue. I
reproduce below the handout sheet exactly as it was given out. I asked the
guide to explain the plot, but he said that good versus evil simply carries on
from one generation to the next, and there is never a winner. I had to look up
a lot of the characters once I got home. Make of the plot what you will…
THE BARONG AND KRIS DANCE
The Barong play represents the eternal fight between good
and evil spirit. Barong (a mythological animal) represents a good spirit and
Rangda (a mythological monster) represents an evil one.
THE DANCES STARTS
WITH MUSIC OVER TONE
Followed by his friend the monkey, the tiger comes up. Three
masked dancers appear, representing men making palm wine in the forest, whose
child is killed by the Barong. The three men get angry and attack the Barong
which is helped by the monkey. During the fight the nose of one of the men is
bitten off.
FIRST ACT
Two girl dancers appear, representing the servants of the
Rangda, looking for the servants of Dewi Kunti who are on their way to meet
their Patih (Prime Minister).
SECOND ACT
The servants of Dewi Kunti come. One of the servants of the
Rangda changes into a witch enters both servants to make them angry. They meet
their Patih and go together to Dewi Kunti.
THIRD ACT
Dewi Kunti and her son, Sadewa, come up. Dewi Kunti has
promised the Rangda to sacrifice Sadewa. A witch appears and enters Dewi Kunti.
She becomes angry and orders the Patih to bring Sadewa into the forest. The
Patih is also entered by a witch so he does not have pity on Sadewa. Sadewa is
then taken into a forest and tied up on a tree.
FOURTH ACT
Unknown by Rangda, Siwa, God appears and gives Sadewa
immortality. The Rangda appears, ready to kill Sadewa and eats him up but
Sadewa is still alive. She then surrenders and asks him to redeem herself.
Sadewa agrees and kills the Rangda. The Rangda goes into Heaven.
FIFTH ACT
One of the servants of the Rangda called Kalika comes up
before Saedwa and asks him to redeem herself too. Sadewa repuses. Kalika gets
angry, and change herself into a boar and fights Sadewa. The boar can be
defeated. She then changes herself into a bird but defeated again. At last she
changes herself into a Rangda, Sadewa cannot kill her. In such circumstances
Sadewa ditates and then he changes himself into a Barong. Still the Rangda seem
too powerful and the fight is unended. Followers of the Barong appear and help
him fight the Rangda.
The Wikipedia entry may help…
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