Endings: N M Browne
I’ve just been editing my novel ‘Badwater’ which I hope will be out next year with the small independent publisher, 'Kristell Ink.'I enjoyed reading it again. I hope it is OK to admit that?
I wrote the first
draft many years ago. It is set after the impact of climate change has left most of SE
England underwater and, though set in a broken society, it isn’t dystopian. My heroine and her friends are prepared to break with tradition to make their
world better.The story was written long before the Extinction Rebellion and my Ollu is no activist, it is far too late for that, but she is brave and resourceful. It was rejected by Bloomsbury for not being an ‘N M Browne’ book,
even though, I can assure you that NM Browne wrote it. Reading it again, it is very
much in keeping with every other book I
have ever written. By that I mean it is a fantastic piece of work
that deserves great success and a plethora of awards, but in addition to its evident brilliance, I
could see in that rejected draft all my usual quirks and idiosyncrasies present
and incorrect. Sometimes the best critic is time and distance.
I produced the
first draft so long ago that I’d forgotten the thought process that had led me
to its ending and had no emotional attachment to the words on the page. I still liked the characters, (who took up
residence in my imagination when I first
wrote them and have never left) I loved the world too, but I could see all too
clearly its many flaws.
We all have our
writing failings, my chief one is to conclude books too quickly. There are
several reasons for that.
1.
I tend to read books at one sitting and read
endings very fast in a state of nervous exhaustion at two in the morning: to me
as a reader all ending are rushed.
2.
I don’t want the narrative to lose tension and
wallow around tying up loose endings for the novel’s last quarter. Every time I
see the final part of the film version of Lord of the Rings, I remember how
unwise it is to drag the ending out.
3.
I write as I read and I tend to be very anxious
to finally get the book done. Exhausted from what is usually an intense and
immersive writing process, I’m inclined to gather what is left of my energy for
a sprint finish. It is enough to get to the line and stagger over it.
It is also fair to say that different readers have different
expectations of endings. Some want everything to be explained, tidied up and
neatly put to bed; others want ambiguity, a measure of uncertainty, an opening
up of possibilities and a sense that in some ways the story isn’t done. As a
reader, I probably prefer the former type of ending (ambiguous endings bother
me and oblige me to finish them off in my head) but, as a writer, I almost
always plump for the latter and have even committed the cardinal sin of ending
books with a cliff hanger; my Shrödinger’s heroine neither alive nor dead
trapped in magical limbo. I am sorry, what can I say? it seemed like a good
idea at the time? I was young and they told me it was artistic?
Anyway, these days I am a reformed character. The book that
will be published is substantially rewritten and has a satisfying ending, one which simultaneously ties up loose ends and leaves open the
possibility of more story, or at least that’s what I hope. Don't we all long for a good ending?
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