My Brainwave for a Great Mystery Novel... or Perhaps Not. By Griselda Heppel
Murder on the Orient Express by Agatha Christie I’ve had a brainwave. Why hasn't anyone thought of this before? (Ah, turns out they have. See below. Never mind, I'm not stopping now.) So many stories – detective and mystery ones in particular – are set in a closed community that your characters can’t get away from. A train perhaps. Or a boat. (Agatha Christie’s Murder on the Orient Express and Death on the Nile .) An office block ( Die Hard , one of my favourite films) or a hotel on fire ( The Towering Inferno ). The reasons for this are obvious: throw a bunch of different characters together in a tight cauldron, add some kind of disaster or threat, and BOOM, you have all the ingredients for a gripping, heart-in-mouth tale. Death on the Nile by Agatha Christie For children’s authors (including, cough, me) the enclosed setting is more likely to be a holiday camp, or a school – boarding, if possible, meaning that your beleaguered hero really is stuck with all the problem...