When to go it alone – Elizabeth Kay
Five of the six books I’ve converted for the Kindle have
been books that were conventionally published in the first place, and the
rights have reverted to me. The sixth, Beware of Men with Moustaches, was one
that had been accepted for publication and then the whole series was cancelled
by the publisher. So my latest book is the first I’ve dared to do without the
security of a previous history.
I wrote it
eight years ago, and my agent handled it. It got very close to acceptance
several times, and then fell at the last hurdle. The main reason seemed to be
that accountants don’t like birds – they’re not cuddly enough. It’s aimed at
the same audience who read The Divide, so I’m hoping to pick up readers that
way. How come a talking griffin is acceptable, but an intelligent parrot isn’t?
They’ve both got beaks and wings…
I’ve always
been interested in the concept of really clever birds – ever since I was
walking down a perfectly normal suburban street some years ago, and saw a
magpie watching me. To my surprise, it flew down onto the ground in front of
me, and regarded me with great interest. Always polite, I said, “Hello.”
“Hello,”
replied the bird – quite clearly, and in a friendly sort of way.
It wasn’t until someone came
round the corner looking for their escaped pet that I realised I wasn’t going
mad. And recently the programme by Chris Packham demonstrated that birds,
unlike a lot of other animals, have a concept of the future. And as for the New
Caledonian crows… they solve puzzles faster than small children!
The premise of Ice Feathers is as
follows: It’s set in Antarctica, ten thousand years ago, when for a short time
just the coastal strip is ice-free. All
the evolutionary niches have been filled by birds; the main predator is a giant
eagle and copper-feathered parrots are just as intelligent as man. Kura’s
thirteen, and her aunt wants to marry her off to get rid of her, so she steals
her uncle’s flightless riding-bird, the vicious and unpredictable Plume, and
sets off to find her real parents. Her
search becomes entangled with an attempt to thwart the plans of a tyrannical
and unprincipled chieftain, The Varka, and puts both her and her friends in
grave danger. Can they outwit The Varka, and save the copper-feathers from
extinction? And who really is Kura’s father?
When
Jurassic Park was being filmed it was decided to make the velociraptors twice
the size they really were. If you look at the fossil skeletons in the Natural
History Museum, you’ll see that they really weren’t all that big, although they
looked more than capable of tearing you to shreds in the blink of an eye. And
then, right on cue, a new species was unearthed in Mongolia that was twice as
big.
Something similar happened with
Ice Feathers – I was half through it, having decided that a civilization buried
under the ice could be rather good fun, when my elder daughter told me about
The Piri Reis map. This was drawn on gazelle skin in 1513, and recently
rediscovered in a drawer in the Topkapi Museum in Istanbul. It suggests that
the coast of Antarctica really may have been ice-free in relatively recent
times. This is disputed, of course, but it was enough for me to look at the
creatures it suggested lived there and take those as a starting point to depict
a land that could once have existed. Any evidence of an earlier civilization
would now be buried beneath the ice. I chose to populate this place with the
prehistoric fauna of New Zealand, where every available evolutionary niche was
filled by birds. Haast’s eagle really was powerful enough to kill human beings,
and the grazers and browsers of other continents were represented by different
species of moa – I think about eleven have been discovered so far. The huge carnivorous
phorusrhacos once roamed South America, the other land mass close to
Antarctica, and the terror cranes that my characters ride are based on these
birds. Parrots are extremely intelligent, and individual birds have been known
to use language appropriately. Therefore, postulating a species that was, in
many ways, more intelligent than man doesn’t seem too implausible. But human
beings don’t like competition, whether from their own species or another one
entirely, and so it’s reasonable to suggest that some years after this
narrative ends man did indeed succeed in wiping them out. And finally, I have
shown climate change in reverse where, at this point, the world was getting
colder. Whatever the weather, it’s a good idea to plan ahead…
My agent
has been very ill recently, so this seems the right time to try out something
new. One of the things I really love about doing a Kindle book is that you’re
completely in control. As I’m also an illustrator the cover was my decision,
and I really enjoyed doing little illustrations to scatter throughout the text.
No one is telling me that I can’t have an elf going off with a pixie she’s just
met because of stranger danger, nor is someone else depicting my characters as
being years younger than they are in the book. I’ve really enjoyed preparing
Ice Feathers – I’m already thinking about the next one I might do. Times have
changed so dramatically in the last eighteen months. The first book I converted
was an adult one – I didn’t think parents would be happy about their children
carrying around electronic reading devices which could so easily be lost or
damaged. How wrong I was. A lot of kids have Kindles or iPhones or even iPads –
they’ve grown up in an electronic world, and mostly they don’t abuse their
equipment. And with the advent of colour, it’s just as worthwhile doing
children’s fiction as it is books for adults. So I’m going it alone – and I’ve
dedicated the book to my agent despite the fact that she won’t be getting any
royalties from it!
Comments
The freedom of self-pubbing is wonderful ...
What is ABNA??? And who's your agent? Might you get in touch, off this rather public forum? We seem to share a similar publishing history, except that, in spite of having a Fine Arts degree, I'm not an illustrator.