Things that go bump in the night, by Mari Biella
c/o Fred Goldstein | Dreamstime Stock Photos |
It’s that time of year
again, when pumpkins are carved out, horror films dominate the TV schedules,
and kids don Frankenstein masks and flit around their neighbourhoods asking for
sweets. Well, technically speaking, I am of course a few days late, but my AE
slot falls on the second of the month, which means that – curses! – the coveted
Halloween spot will never be mine. Neither will that of April Fool’s Day, which
I miss out on by just one day. That particular splendid opportunity goes to my
esteemed colleague, Valerie Laws. Ah, well: better late
than never, I suppose.
Ghosts. Whether you believe
in them or not, they continue to haunt us. They have, so far, proved remarkably
resistant to the silver bullet of science. You can’t get away from them; you
might not have seen a ghost, but ask around in your social circle and the
chances are that at least one person will claim that they have. Even if you
never encounter a spook in the real world, that still leaves the fictional
world; indeed, several of us in AE write ghost stories. How to account for the
phantom’s enduring appeal?
c/o Wikimedia Commons |
Do ghosts exist? The
question misses the point, perhaps. Ghosts can be said to exist simply by
virtue of the fact that people – people of all cultures and times, people who
have no apparent reason to lie – consistently report encountering them. The
question, really, is what we think they actually are. Are they hallucinations? Unusual brain activity? A natural
phenomenon that we don’t yet understand? Or are they genuinely paranormal or
supernatural?
Somewhat to my
disappointment, I haven’t seen a ghost, or at least not one that I recognised
as such. I’ve had the unnerving feeling that I wasn’t alone, that I was being
watched by someone unseen. I had one frightening experience in the Edinburgh Vaults, when I heard a loud
thumping noise. I was with a tour group, but none of the other visitors were
responsible and the remainder of the vaults were apparently empty. I was scared
at the time. Later, my rational mind kicked into gear and began to supply
explanations. The vaults are in the middle of a major city and, being
underground, probably have strange acoustic properties. I could have heard a
sound from outside, perhaps – traffic going past on the road above, or a
distant door being slammed – which echoed down in the vaults, and was distorted and amplified.
Add a touch of imagination, and you can see what might happen.
A book that I remember with much affection... |
I don’t know why I’ve always
had this fascination with hauntings. There’s nothing in my childhood, as far as
I can remember, that obviously accounts for it. I do remember that, when I was
about six or seven, I belonged to a book club organised by a teacher in my
school. Every so often we were able to order a discounted book from a small
catalogue. I ordered Scottish Hauntings
by Grant Campbell, despite the fact that I’m not Scottish and hadn’t, at that
stage, ever even been to Scotland. The book duly arrived, and I spent a few
happy nights reading it in bed by torchlight, thrilled by the eerie
illustrations and even eerier stories. Not only was it spooky and compelling;
it was (I can imagine sceptics rolling their eyes at this point) intelligently
written, never once patronising its young readers but trusting them to form
their own ideas. It supplied mundane rational explanations – that the Eilean Mor mystery might have been due to nothing more than a freak wave, for example –
and allowed room for doubt to creep in, as when the author pointed out that
eyewitness testimony tends to become less reliable over time. Yet that keen
intelligence, lightly worn, never threatened to dim the sense of mystery, which
is the thing that I remember most about Scottish
Hauntings. In a fit of nostalgia, I looked it up on the internet, and there it is, available for the princely sum of £0.01.
I grew up largely in Wales:
not in a particularly picturesque or romantic area, just in an ordinary small
town on the edge of the South Wales coalfield. Yet still it seemed that an
ancient, Celtic mystery seeped through the fabric of everyday life and
appearances. From an early age I sensed that there was another world, running
alongside this one perhaps, mostly hidden from us and encountered only in the
form of fleeting sensations and impressions, but sometimes there, visible and
real, to anyone lucky enough to be in the right place at the right time. I
gazed wistfully at a fire-damaged old farmhouse and mill as I passed them on
the way to and from the local shops, wondering if I might glimpse or experience
something...
I never did, sadly. Perhaps
it really is a question of being in
the right place at the right time. In one of my favourite creepy films, The Others, ghostly encounters are portrayed
in this way. The living and the dead are treading different but strangely parallel paths, and sometimes – due to an unplanned, unforeseen, random collision of
circumstances – those paths briefly cross. They never did for me, regrettably.
My encounters with the spirit world seemed destined to be confined to the pages
of books.
c/o April Turner | Dreamstime Stock Photos |
Not that that was a bad
thing, necessarily. I began to devour ghost stories, discovering some all-time
favourites in the process: The Lady’s
Maid’s Bell by Edith Wharton, The
Fire When It Comes by Parke Godwin, Somerset Maugham’s A Man From Glasgow. I discovered M.R. James and E.F. Benson, and
Harry Price’s (supposedly factual) account of the Borley Rectory case in The Most Haunted House in England.
The progression from
reading ghost stories to writing them seemed a natural one. What I discovered,
though, in those early, faltering attempts, was that the ghost story, if it’s
to be done well, is a surprisingly tricky form to master (I’m not sure I’m
halfway to mastering it, even now). It calls for the evocation of atmosphere,
the slow building-up of tension, and releasing that tension at the right
moment, and in the right way. It relies not upon garish shock-and-awe tactics,
but upon mood and setting.
I’m still fascinated with
ghosts. Some would say that, at my age, I really should know better. They’re
right, perhaps. But some things are stronger than we are, and my fascination
with ghosts is one of them. I’m still waiting. Perhaps, one day, I’ll have a
genuine brush with the supernatural...
My ghostly novel, The Quickening, is for a limited time being offered for FREE to subscribers to the Authors Electric newsletter. To claim your copy, please click here or go to the sign-up form in the top right-hand corner of this page. Happy reading!
My ghostly novel, The Quickening, is for a limited time being offered for FREE to subscribers to the Authors Electric newsletter. To claim your copy, please click here or go to the sign-up form in the top right-hand corner of this page. Happy reading!
Comments
Only time wi
Catherine, I love your ghost story. It has that randomness, that 'we exist, so deal with it,' note.
I think I was drawn to ghost stories because I already loved the idea of ghosts, though to say why, exactly, I find difficult. Even harder to say why, now, when I no longer have much belief in anything that's oddly termed 'supernatural.' (Odd, because if something exists,then by defination it's natural, not above, beside or outside the natural.)
I think, possibly, that I tell ghost stories now as an expression of the melancholy, of things lost or never within reach
Jan - I can't find your name amongst the subscribers to the list. Did you subscribe some time ago? There's a double opt-in process (Mailchimp insists, so that we don't fall afoul of anti-spam laws), so you do have to jump through a few hoops. It might be worth checking in your spam/promotions folders, just in case there's anything there. If you do find the November newsletter, there's a section in it that explains how to get hold of the book.
If you've only just signed up (i.e. in the last few hours), when the process is complete you should get a welcome email which also directs you to the free book.
If you have no luck, it might be worth trying to subscribe again. If nothing at all works, drop me an email (mari.biella@gmail.com) - I should be able to help.