In celebration of the dark by Sandra Horn
After my last little rave about the Moon, I want to celebrate
the Dark. Where would we be
without the lovely dark? The moon and stars are always there, but we’d never
see them. The Aurorae Borealis and Australis would go on casting their
enchanting veils of coloured light across the poles, unseen.
There
would be no bats or barn owls, no other silent and slinky creatures of the
night – and where would writers be without darkness to hide miscreants, lovers,
conjure up ghosts?
I’ve always loved darkness, especially but not necessarily,
when accompanied by cold. When I was a child,
I was always being
called in to put a coat on (Don’t want to! Not cold!) and I loved being out in
the dark, star-gazing, playing with shadows, listening for owls. I used to walk
round with my eyes shut in the day, sometimes, just to see where I ended up. I
still do... My favourite holidays have been in early January, in Tromso, up in
the Arctic Circle, where there was twilight for about four hours between 10 am
and 2pm, and a long starry night all the rest of the time; Bern so we could go
up the Schildhorn and walk on the glacier; Iceland to chase the Aurora we’d
been in Tromso, again, and marvel at icicles as tall as a house.
One of the delightful things about being a writer is that
you can put your personal oddities to good use. My voice play ‘Persephone’
re-imagines the myth, setting it in a modern suburban street in which the
adolescent girl is fascinated by the dark and by death, and is increasingly
overburdened by her mother’s exuberant sun, sex and veggies lifestyle (she is
the Earth-mother, after all). When the silent stranger on the motorbike holds
out his hand to Persephone, she approaches him, half-willingly, and he snatches
her up. Her life in the dark with him through the winter is a respite from all
the things she struggles with in her mother’s world. The child she is needs to
‘die’ – i.e. separate herself from her mother and grow into her own unique
adult skin. That’s probably more than
enough psychoanalytic blather.
Merry Christmas, everyone – and a happy, healthy, peaceful,
creative 2016!
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