The Name Game (Cecilia Peartree)
We had a new addition to the family the other day, and
something happened that made me consider the topic of people's names and what
we expect from them. When I heard the name given to the new arrival, for some
reason I immediately pictured him in 40 or so years' time as a professor,
probably of archaeology. His mother, on the other hand, told me she saw him more as a sportsman. Apart from the fact that she was probably
joking because she knows how much many other members of the family excel at
sports, i.e. not very much, this started a train of thought that led to various different destinations.
My grandmother (top left) and her birth family |
As a family history researcher I find people's names very
interesting, especially their first names. In many Scottish families there was
quite a structured naming pattern in place, perhaps for centuries. I think I
was one of the first children in our family not to be named after some ancestor
or other. But it used to be less random than that sounds, because in families that followed this pattern the first daughter
born to a couple was named after the mother's mother, the second
after the father's mother and the third after the mother herself. There seem to have been optional extra rules about when to name a child after their grandmother or aunt. Something
similar happened with sons - the first son after the father's father etc. In late
Victorian times with the large families many people had, they sometimes had to
go back to great-grandparents for names, and two of the youngest of my grandmother's
ten siblings were actually named May and George, I think after members of the
royal family.
My mother, the second daughter in her family, was very
lucky not to have received 'Montgomery' as a first name because it had been my
grandfather's mother's name. After a family argument it was apparently agreed
that this was a ridiculous name for a girl and she was given another family
name, Christina, instead, with Montgomery as a middle name. When my late
brother and I started doing family history research we found the first name Montgomery
very useful because it was confined, as far as we could establish, to girls
from a large inter-connected group of mining families from Fife, and it helped
us to place people in this group. The earliest occurrence we could find was in
1764, when a coal miner's daughter was given this name, possibly after a Seven
Years War hero.
My great-grandmother's full name was Montgomery Crystal, and
my brother once set up a web page for her as a joke, depicting her as a 1950s
movie star. Sadly I think her life was a lot less glamorous than that.
When it comes to naming characters in my novels, I draw on
various sources. In my mystery series, for instance, I tend to borrow names
from my family tree for the older characters. The fictitious setting for these
books is on the Fife coast, not far from Dunfermline, where most of my mother's
family were from, so this seems to make sense. These older characters are
sometimes quite stereo-typically set in their ways, although one of them is a computer expert and another fancies himself as a racing
driver.
In fact the plot for one of these mysteries, 'Reunited in Death', was also inspired by something that really happened in my family (but without the murders).
As well as raiding my family history for names and ideas, I do get them from other sources on occasion. I have one exotic character called Amaryllis, a retired spy, and some younger people have started to make an appearance - Kyle, Zak, Lee, Tiffany, Ashley. These young people are generally quite modern and forward-looking, whereas Harriet, a young woman with a more traditional name, tends to be rather prone to panic under the stress of modern life. I hadn't actually realised I had used names to signal character in quite such an obvious way until writing it down just now.
In fact the plot for one of these mysteries, 'Reunited in Death', was also inspired by something that really happened in my family (but without the murders).
As well as raiding my family history for names and ideas, I do get them from other sources on occasion. I have one exotic character called Amaryllis, a retired spy, and some younger people have started to make an appearance - Kyle, Zak, Lee, Tiffany, Ashley. These young people are generally quite modern and forward-looking, whereas Harriet, a young woman with a more traditional name, tends to be rather prone to panic under the stress of modern life. I hadn't actually realised I had used names to signal character in quite such an obvious way until writing it down just now.
In a way I find it
rather sad that names have become so much less traditional and more subject to
fashionable trends, and in another way it's probably a good sign that is symbolic
of changing times and of people not wanting to weigh their children down with
expectations that they will take after long-dead relatives.
Incidentally, I still
miss the American secret agent who appeared in some of my earlier books,
Pearson MacPherson. His name always made me smile, and indeed the fictional character was
a bit of an idiot.
Comments
Which leaves the question of how to name your characters in books - yes, your younger characters with their sparky names do sound more youthful, switched on and modern. Funny to think that in a couple of generations, people may think of them as their aged grandparents, and Harriet as the whizzy one...