Transparency, by Elizabeth Kay
I’ve been fascinated by octopuses for a long time. They are extremely intelligent, their eyesight is very similar to ours, but they have a remarkable ability that we, most definitely, do not have. They can disappear. Just do a search for octopus camouflage on YouTube, and you’ll see all sorts of amazing creatures changing their colour, pattern, shape and size to escape predators, or lie in wait for prey. The mimic octopus can make itself look like a sea snake, a poisonous flatfish, or a deadly lionfish.
A close relative
of the octopus, the cuttlefish, is even better, and disguises itself as part of
the substrate. I had an encounter with one in Indonesia, and it was
fascinating. To begin with, I thought part of the seaweed-covered rocks had
detached itself, which seemed a bit odd. I followed it, and suddenly realised
it was a living creature which had made itself virtually invisible. I took a
couple of photos, and then I swam off to do something else. About ten minutes
later I looked behind me, and saw what seemed to be a completely different
creature hanging in the water above me, just watching me. It had disguised
itself as blue and white ripples in the sea, a most fetching stripey design. Then
swam down lower, and striped itself slightly differently. When I showed my
rather blurry pictures to our guide, he got quite excited and told me I’d been
lucky enough to make friends with a cuttlefish. There was no doubt that the
creature had been really interested in me, and followed me to try and work out
what I was.
Invisibility capes have been used in children’s literature many times, and cloaking devices for spaceships in science fiction. For my reluctant reader The Tree Devil, not available digitally, sadly, I decided to create a character that could do this on land.
I was on my way home from school when I saw the oak tree move. I don’t mean it lifted up its roots and walked. I don’t mean it tried to hug me to death with its branches. It wasn’t like that at all.
The bark of the
tree began to ripple, like a puddle in the wind. It was as if there was another
shape inside the tree, trying to get out.
I just stood
there, and stared. It’s not every day you find yourself in a horror movie. What
hits you isn’t how scary it is. It’s how you must have made a mistake, how you
can’t be seeing what you’re seeing. You think that maybe you need glasses, or
you’re being filmed for some stupid TV
programme. You don’t think for one moment that you’re right. I looked round to see if I could spot
any BBC presenters anywhere, but there wasn’t even a CCTV camera close by.
I turned back to the tree, holding my school bag in front of me as if it was a shield. It was hard to see the shape of the bit that was moving, because it was exactly the same colour and pattern as the bark. Brown and grey, with deep zig-zag cracks. I thought I could see the body of an animal, with two back legs. It wasn’t any animal I knew. The legs ended in big flat feet, like flippers, with claws on the toes. The thing looked a bit like a toad – but a toad that stood on two legs, and was the size of a grizzly bear. It started to turn towards me. Then it froze. It had seen me.
I used the same idea in a different way for a creature I
called a vitril, in a world where glass is more valuable than gold.
The glass egg hadn’t been there
for long, compared with some of the bottles and decanters. It was about the
size of a large melon. It stood on a plinth of black marble, near the door, and
the room felt that there was something a bit strange about it. The girl who
paid an unexpected visit one afternoon clearly thought so too, for her face
screwed up when she saw it, as though she’d smelt something nasty.
It was a couple of days later
that the egg suddenly started to rock very slightly on its pedestal, almost as
though it were breathing. After a moment or two, the shell flushed with colour.
For a short while it remained brown and speckled, like a hen’s egg; then it
returned to its previous see-through state. The second time it tried to change
colour it shrank slightly as well, but didn’t stay that way for long. The third
time it didn’t change colour at all, and cracked open instead.
The creature that emerged was as
transparent as the egg had been. It already had teeth like little icicles, and
sharp pointed claws. The room shivered in alarm, and a couple of vases tinkled
nervously. There was something really unpleasant about the hatchling, despite
the fact that it resembled a portly teddy-bear. It sat there on the plinth, cracking
its tiny knuckles, wiping its snotty nose on its forearm and looking around.
Then it picked up a piece of transparent eggshell, and started to eat it. The
crunch-crunch-crunch sounded like someone cracking bones.
The room was mightily relieved
when the girl came back the following day and the little beast took the chance
to slip out, unnoticed. Fortunately, the child left soon after as well. Peace
and quiet again. Bliss.
Comments
Very good question about invisible entities in fiction tending to be evil. The classic example is the Ring in Lord of the Rings which gives huge advantage to the wearer by rendering them invisible, but at the cost of corrupting their soul. Harry Potter's cloak of invisibility has no such moral aspect, luckily. But - a benign invisible entity? I'm still thinking of one (apart from God). Does The Force in Star Wars count?