TELLING THE SEA by Pauline Fisk
'Telling the Sea' by Pauline Fisk |
Three weeks ago I
went down to Pembrokeshire complete with film crew to make a film about my
writing life in general, and one book in particular – ‘Telling the Sea.’ We moved into the
same cottage in which the book was set, and spent two and a half days filming
it and its surroundings, which included boggy marshland, pot-holed tracks, muddy cliff-paths and beaches that
might be fabulous in the summer - and relatively easy to pick a way down to - but
were perilously inaccessible in November at the end of a rainy summer.
Even so, we managed to get down to them [though it has to be admitted that the film crew weren’t quite as healthy by the end of the shoot as they were when it began] and the results were worth it. Looking at the footage afterwards, I was thrilled by the view it presented of a wild and rugged coastline faced with remorselessly grey days - which is exactly how Nona, the heroine of ‘Telling the Sea’, experienced it.
Even so, we managed to get down to them [though it has to be admitted that the film crew weren’t quite as healthy by the end of the shoot as they were when it began] and the results were worth it. Looking at the footage afterwards, I was thrilled by the view it presented of a wild and rugged coastline faced with remorselessly grey days - which is exactly how Nona, the heroine of ‘Telling the Sea’, experienced it.
'Telling the Sea’
is the story of Nona and her family, who escape to the wild Welsh coast in the
hope of hiding from abusive Uncle Brady, who beats Mum up. Here in a cottage which I know well and love [it's always been an escape for my family too - though more of the holiday
sort], Nona tries to save her mum and hold the family together. She's helped and hindered in equal measure by a rag-bag collection of new friends, but the only one she entrusts her secrets to is the sea - which ends up being a big mistake.
Pembrokeshire is a
place that’s embedded in my heart, especially the area between Fishguard and
Newport. I chose to write about it
at a time when my publishers expected me to write something else, and I
think I did that because it was my way of making that very special place my own.
Much was said at the time of publication about the way the sea became a character in the book. Certainly the footage shot by R & A Collaborations brings it to life. But then I’ve always had a special feeling for the sea. Perhaps it comes from my mother’s Guernsey roots and the fact that my grandfather, like Nona, was lured by the sea into a sense of false security - which in his case came unstuck when he escaped the island during the Second World War and came to the UK as a refugee.
Much was said at the time of publication about the way the sea became a character in the book. Certainly the footage shot by R & A Collaborations brings it to life. But then I’ve always had a special feeling for the sea. Perhaps it comes from my mother’s Guernsey roots and the fact that my grandfather, like Nona, was lured by the sea into a sense of false security - which in his case came unstuck when he escaped the island during the Second World War and came to the UK as a refugee.
Our final day in
Pembrokeshire was spent filming inside the cottage where Nona's mother’s downward spiral into despair and
depression was dramatically played out. After everything else was done, I sat
at the kitchen table [where I’ve
sat so many times before, often with my computer for company] with an
interviewer, and we talked about my life as an author and the writing of ‘Telling
the Sea.’
I hope you’ll be able to see the film soon. I hope I’ll
be able to see it soon – AND
the finished book. I’d intended this AE slot to mark its launch in e-book
format, but I’m sure the authors among you will understand my seizing the
chance of one final edit. How
often, after all, do we get this chance?
Jibes get made from time to time about the ebook market being flooded with sub-standard work. Well, I don't buy that, not least because the chance is there for authors to republish their work to a higher standard - and that’s what this final brush-down of my text is aiming to achieve.
I hope, too, that you’ll like the cover, which I’ve featured above. And if you enjoy ‘Telling the Sea’ I hope you’ll pass on the word it [not least on Amazon, where the reviews really count]. You'll hear all about it once the book is out. Same too with the film. News about them, along with links, will be all over Facebook/my website/Twitter/anywhere else where I regularly write. The book will be out in time for Christmas, I can promise you that, ready to download on the beautiful new Kindle Fire.
I hope, too, that you’ll like the cover, which I’ve featured above. And if you enjoy ‘Telling the Sea’ I hope you’ll pass on the word it [not least on Amazon, where the reviews really count]. You'll hear all about it once the book is out. Same too with the film. News about them, along with links, will be all over Facebook/my website/Twitter/anywhere else where I regularly write. The book will be out in time for Christmas, I can promise you that, ready to download on the beautiful new Kindle Fire.
On the subject of
which - I went out and bought it the first day it was for sale, and I LOVE my
new Kindle Fire. Dare I admit that
I found the old Kindle rectangular, flat and monotonously grey? Well the new one is fabulous. It’s transformed my reading experience.
‘Midnight Blue’ looks great, its stunning blue cover no longer subdued into
greyscale. And the vibrant cover
of ‘Telling the Sea’ looks great too - so keep an eye out for it over the next few weeks.
SOME REVIEWS FOR ‘TELLING THE SEA’
‘A tough book with a moving story which doesn’t pull its punches abut the strange dynamics of family life. This is high quality writing full of excitement and atmosphere and not afraid to tackle difficult issues.’ The Western Mail
'A teenage novel set in the real world with real characters of strength and depth... A powerful story of coming through, with no punches pulled.' The Daily Mail.
'A gripping novel, hard to put
down.’
The Children’s Book Foundation
'A superb novel which deserves a place in school libraries and book boxes.‘ The School Librarian.
READ MIDNIGHT BLUE
READ IN THE TREES
PAULINE FISK IS
CHANCELLOR OF THE CHILDREN’S UNIVERSITY OF SHROPSHIRE
Comments
And as far as jibes at ebooks are concerned, there is a vast amount of rubbish out there in paper format too, but which anti-ebookists seem to overlook!