Two Writers, One Story - co-authoring a book by Susanne O'Leary
I have, with my co-writer Pete Morin, just
published Full Irish, a political suspense story set in Boston and Ireland.
This is my second co-written project, my first being the two Virtual books that I wrote with my fellow Swede, Ola Zaltin.
I never thought I'd do this again, as I'm quite happy writing my romantic fiction stories all on my own. Writing the Virtual books was fun and very educational, as my then co-writer was not a novelist but a scriptwriter of Wallander fame. Our working method was not easy but Ola Zaltin was forced, because of his own commitments, to let me take complete control during the first draft and then he just sketched in his own take. His knowledge of Swedish criminal procedures was invaluable, and also his superb plotting skills. But I did the whole story arc, the characters, dialogue and the settings. The result was unusual to say the least. But it was hard work and, although the two novels were well received, we didn't feel we could repeat the process.
So when they were published, I happily set off on my own path, not thinking I'd ever co-write again, or embark on yet another detective series.
This is my second co-written project, my first being the two Virtual books that I wrote with my fellow Swede, Ola Zaltin.
I never thought I'd do this again, as I'm quite happy writing my romantic fiction stories all on my own. Writing the Virtual books was fun and very educational, as my then co-writer was not a novelist but a scriptwriter of Wallander fame. Our working method was not easy but Ola Zaltin was forced, because of his own commitments, to let me take complete control during the first draft and then he just sketched in his own take. His knowledge of Swedish criminal procedures was invaluable, and also his superb plotting skills. But I did the whole story arc, the characters, dialogue and the settings. The result was unusual to say the least. But it was hard work and, although the two novels were well received, we didn't feel we could repeat the process.
So when they were published, I happily set off on my own path, not thinking I'd ever co-write again, or embark on yet another detective series.
But the saying that you should never say
never is very true...
After having published the third book in my
Kerry rom-com series last spring, I saw a blog post by my writer friend of many
years, Pete Morin, where he was inviting submissions to co-write a detective
novel with him. Not thinking for a moment that I would apply for the job, I
nevertheless asked Pete about the why and wherefore and what was he planning?
We joked around for a bit and I said, just out of the blue, why not do a
Boston-Irish novel, where the story would be about political corruption,
linking the two countries? We chatted a bit about it and then realized
somewhere along the way that, well, the two of us might perhaps try to create
this story. We could combine my inside knowledge (from being married to an
Irish diplomat) about what goes on behind the scenes in Irish politics, and
Pete with all that Boston legal and political experience. We realised we
both had some great material we could use.
So off we went.
This time, the writing method couldn't have been more different. It was truly
co-writing, with both of us doing exactly half of the writing, mixing,
blending, criss-crossing everything; plot, characters, dialogue, setting, even
voice. Difficult to describe as a true 'method'. With modern day document sharing via e-mail
and the collaboration technology built into many word processors (we both used
MS Word), the process was quite smooth.So off we went.
We passed the draft back and forth
constantly, and we often wrote over each other's work, until we got to the
point where we truly didn't know who had written what in some scenes. There were
some arguments, of course, about dialogue and scene settings. But in the end,
the finished story is the result of two writers’ styles, ideas and voices
blended into one. It’s as if we became Morin & O’Leary- the author
(singular), not the authors (plural), in a strange way. The now much loved
story (if we’re to believe the excellent reviews) is the result of six months'
fun and truly stimulating work.
And now we’re already writing book #2 in
what we hope will become a series.
So if you consider co-writing, I'd recommend it. It’s both fun and educational.
So if you consider co-writing, I'd recommend it. It’s both fun and educational.
Full Irish: Amazon.com Amazon UK Apple Nook
Comments
And of course, one of us had to back down once the other had presented a convincing reason for doing it his/her way. But we always agreed in the end.
As Susanne mentioned, we wrote this from conception to completion in 6 months, as opposed to my usual 30 months without help (I am terribly handicapped in that area). With the collaborative effort, we were able to come up with a plot in a matter of days. THAT’S why I pursued the collaboration in the first place!
I should also say that although we wrote in different genres, I had no hesitation to pursue the project with Susanne because (a) we had become virtual friends years earlier through our association with Authonomy, and (b) I thoroughly enjoyed her collaboration with Ola Saltin in Virtual Strangers. So I knew what I was getting into!
Virtual Strangers was my first introduction to working with a crime writer. It was a steep learning curve and I'm still climbing...