A Tabloid Story by Jan Needle
In the never-ending search for an honest
living as a writer, I have wandered down many byways. Most recently, having
written a novella about a particularly gruesome murder, I decided to show it to
a few chosen intimates to give me some idea of if it was any good or not.
Except he wasn't. Because a lively
opportunist from Preston brought his dog all the way to Blackburn when he read
about the murder, and persuaded the police (Mr Chief Constable Potts) that it
was a bloodhound and would find out the dreadful truth. The dog, Morgan, was
only half bloodhound, and when set on in the woods where part of Emily's body
had been found, came up with nothing.
It's called The Blood Hound, and even that
title was given to me by one of those intimates. It's based on a true series of
events which took place in Blackburn, Lancashire, in the 1870s. A little girl
called Emily disappeared one afternoon after having been given a prize for
excellence at her local school.
On her way home she was called across the
street by a man, who asked her to go and collect some tobacco for him from a
local shop. She knew him, and he gave her the money for the purchase, then went
back into his barbershop to wait for her. She was seven.
At home, her parents became worried when
her father came home from the mill where he worked, but Emily had still not
returned. He went to the police, there was a search, and nothing at all was
found.
The police were very good about it, and
next day issued Missing Person notices and searched the surrounding area.
Nothing.
It was almost fair time in Blackburn, and
the town was full of itinerant entertainers, as well as the myriad navvies and
ex-navvies who had built the railways and canal – many of whom, of course, were
Irish. It would not have taken much to make the place explode.
There were no actual witnesses to the
murder or the immediate lead up to it, but several little girls had seen a
tramp on a corner near the barbershop, and claimed that he had sent the girl to
collect the 'bacca.' You can maybe guess the rest.
There was no mass media in those days, but
they did have an alarming number of local newspapers, an extraordinary number
of railway lines through the town, and a veritable army of balladeers and
chapbook men. Very soon the town was seething with rubberneckers and wild
opinions. The barber, strangely, was not fingered as a suspect for many days.
Before that, at least ten tramps were arrested
on one day alone, and many more itinerants fled the area. The strongest suspect
was seized in a distant county – those railways again – because the girls
remembered their man had broken clogs. He was brought back to Blackburn,
probably to be lynched.
You can keep it too light. But my proper pics wouldn't download |
But by this time, local opinion had turned
against the barber (who was a tiny, damaged man of twenty-four) and the bloodhound
was taken to his shop. It was the first time in England, apparently, that a
bloodhound had been used to find a murdered body. Normally, they just hunted runaways.
It took Morgan no time at all. After
sniffing round the bottom floor he shot upstairs and almost jammed himself
inside the chimney. Where very shortly, Emily's half-burned skull was found.
The police saved the barber from the baying crowd, so that he could be hanged
with proper decency.
It was the luridness of the newspaper
accounts and broadside ballads that gave me my problem. The crime, as
delineated, was so appalling, so utterly brutal, that I felt my story had to
start with it. Unvarnished. But I thought I might be wrong.
To cut a long story short (if not my
problem), it's now been read by six people who are ‘fans’ and friends. And
guess what. Half of them think my approach is dead right, and the other half
think it borders on disgusting – and more importantly, puts them off reading
beyond the first two chapters.
My intention, and my hope, was this: to
show a vile crime, then follow it by going into the barber's mind to try and
understand why he might have done it. His wife, the mother of his children,
forgave him. There was a public subscription to keep them from the poor house.
Not, one fears, what would have happened in our more enlightened times?
He was a sad wee man, barely five feet tall,
who had been given to the parish as an undernourished toddler, and who fell off
the workhouse roof onto his head when aged eleven.
There’s my quandary, sensation seekers.
What to do?
PS I had a pic of the 'bloodhound' and the murderer, but the computer said no. Sorry.
PPS Just finished the account by G.A.Jones ('honest George') of his 'pleasure trip' to the Baltic by motor boat the month before Britain and Germany went to war. It is understated, funny, moving, and original. Just like Julia's own writing. She is, of course, his daughter. I honestly can't recommend it highly enough. It's called The Cruise of Naromis, and it's from Golden Duck and on Amazon.
PS I had a pic of the 'bloodhound' and the murderer, but the computer said no. Sorry.
PPS Just finished the account by G.A.Jones ('honest George') of his 'pleasure trip' to the Baltic by motor boat the month before Britain and Germany went to war. It is understated, funny, moving, and original. Just like Julia's own writing. She is, of course, his daughter. I honestly can't recommend it highly enough. It's called The Cruise of Naromis, and it's from Golden Duck and on Amazon.
Comments
The only way forward is to follow your own instincts.
My opinion, (which is worth nothing at all), is that if people are going to read a book about a child murder they jolly well have to brace up and take whatever punishment the author chooses to give them!
Speaking as one of the 'fans and friends' it isn't as simple as feeling obliged to give an opinion even if one doesn't feel it very strongly; it's more likely to be that one has a strong reaction that the writer might not want to hear or agree with. Asking those nearest and dearest to read an unpublished work is an act of trust and possible risk. We are not neutral readers. We have our own reading preferences, and prejudices when it comes to genre and subject. We may be reading something we would not chose to read under other circumstances, particularly when it comes to fiction, we make choices. I read a lot of crime fiction, but have a visceral dislike of violence and stop reading if I find it too much. I have obviously read about child murders, but the same applies, perhaps more so. I make a choice not to 'brace up'. It's not the same reading something written by - and for - someone you know, especially one whose writing you care about and admire. As one of your nearest and dearest, James Albert, I will get past chapter two, I promise. And tell you honestly what I think.
And imagine what it's like for the partner of a 'sexual psycho'!
Sorry to butt in on the authors' blog - but I just wanted to put out a 'critical friend's' persepective.
No, Reb, nobody would have Jan lynched. Would they?
Perhaps I'd probably be better to not change a word of The Blood Hound. Anyone who took it to be for children would clearly need psychological help!