Breaking the Rules…. by Louise Boland
What feels like a lifetime ago (but was actually only last
year), I used to work in the energy sector. We specialised in selling gas and
electricity to business customers. There!
I see you turning away already. It’s dull, isn’t it?
Before, at parties, when people asked what I did and I told
them, this is what would happen: First, their eyes would glaze over, then they’d look down at
their wine glass and discover they were in urgent need of a top-up, and then
they would scurry away.
Nowadays of course, I can tell people I’m a writer and a
publisher, and that creates an entirely different reaction. For everyone either loves reading books,
thinks they can write a book, has
written a book, or knows someone who has and who needs help getting it
published. (As a little side note for my old friend, Valpy – I still don’t think I
have scope for publishing Pylon of the Month, but if there are any other commissioning
editors out there looking for new material, then do check it out http://www.pylonofthemonth.org/.
They want to put together a ‘best of’ collection.)
But one of the biggest differences between energy and
publishing is how they handle RULES. In
the energy section, you can’t move for rules, there are hundreds of documents
containing them. It’s exhausting, but at least it’s all written down.
What I have been struggling with in the book publishing
sector is that there are also rules, but these are all UNWRITTEN and they’re mostly
based on the logic of ‘Well… that’s how
everyone does it.’
Over time I’ve come to understand that some of these rules
are there because its easiest for everyone. Publishers send out review copies
to the press in time for their deadlines, so that the papers can come out as
the book is being released. If you try
to step outside these timelines, it just confuses everyone.
But some of the rules are based on perceived commerciality. Publishers want to sell what they know will
sell. And the safest way to do that is
to publish what is already selling. That
is all very well, but the difficulty comes when writers are told that because
their book isn’t what is currently selling, they should change it to something
that is. And so writers of fantastic
literary fiction switch to writing crime, as their agent says it will be easier
to pitch. And people who write fiction
which is less than 60,000 words get told by their agents to bump it up to
80,000 or even 90,000 before it stands a chance of being sent
anywhere.
At the moment, this bizarre WORD COUNT RULE is my biggest bug
bear.
There’s a great picture on the Bookfox blog site, called ‘Know
Your Fiction Lengths’ (https://thejohnfox.com/2016/03/know-your-fiction-lengths/)
where John Fox has laid out in an easy to see way, how many words your fiction must
be to count as flash fiction, short story, novelette (didn’t even know there
was such a thing!), novella, novel and (love it…) Russian Novel.
This is really handy for authors who want to understand the
publishing industry’s unwritten word count rules. Crucially he warns authors to Mind the Gaps –
‘A 50k book is hard to place’ and to Mind the $$$s – only novels between 80,000
and 10,000 make money, anything else is ‘art and fun’. Great words of wisdom
and super helpful for those authors who want to get an agent or publisher to consider
their work.
But I’m not having it.
Where would we be if everyone followed the rules like this? The world would
be missing some fantastic fiction. Ray
Bradbury’s Fahrenheit 451? 46,118
words. Kurt Vonnegut’s Slaughterhouse-Five? 49,459. William
Golding’s Lord of the Flies? a severely lacking 59,900. (Ok
that last one’s not a great example as I guess he could have found another 100
words without ruining it too much if called upon…)
At Fairlight Books, we encourage writers of literary fiction
to submit their work to us whatever the length. If it’s a great story and great
fiction, then please don’t consign it to the bottom drawer just because you know in your heart of hearts it will ruin it to make it twice the length.
At the moment we have a passion for novellas. So
please spread the word. No word
limit rules at Fairlight Books. We are
open to submissions of literary fiction of ANY LENGTH!!
Comments
And I think Raymond Carver and Chekhov did some pretty good shorter work!?