Maim a marauder, mummy By Jan Needle
Authors Electric's Jan Needle |
It does raise some interesting moral
questions, though. In the past I’ve been accused by one MP of insulting his
constituents by suggesting a certain sort of murder was even possible in a certain
part of Manchester, and generally of making violence seem ‘almost normal’. But
Mr Grayling’s exhortation seems far more likely to make things worse than
anything I can do. If you indicate that it’s all right to attack people with
‘unreasonable force’ for breaking into your house, might it not lead burglars
to go armed, just in case? Or householders to use ‘unreasonable force’ just for
the hell of it? If someone attacks your home or family, the emotional response,
let’s face it, can be understandably murderous. Which is where the rules evolved
from, clearly.
They evolved very slowly, too. And in the
fifteen years up to 2005, only seven people were actually prosecuted for
attacking household intruders. One of the cases involved a man who lay in wait
for a burglar and then beat him, threw him into a pit and set him alight.
Happens all the time! Three years ago, on the other hand, a man who stabbed two
teenage intruders, killing one of them, had the charges against him dropped.
What more do you want, Mr G? Crocodiles in moats?
I think the trouble is that most crime
books – like Mr Grayling and Ms May – don’t go in for moral ambiguity. Lord
Peter Wimsey may have let off a young revolutionary who shot him because he was his
sister’s ex-fiance and Wimsey couldn’t see the point in making matters worse,
but generally speaking black and white’s the rule – victims good, criminals
bad. By extension, law good, law-breakers bad. Or further, policemen good,
anyone assumed to be transgressing, bad. Shall I go on? Invading Iraq
good, terrorist responses bad. Guantanamo Bay good, and…oh dear. A moral swamp. When I heard Theresa’s
suggestion that victims should be allowed to choose the punishment to be
inflicted on the perpetrator, I could feel my moral compass do the twist.
My problem as a writer – one of my
problems! – is that I’ve always felt the need to examine things from more than
one angle, especially where ‘right’ and ‘wrong’ are involved. Even with my work
for children I can’t break myself of the ‘habit’. Mrs Thatcher’s government
famously tried to ban A Game of Soldiers, my TV serial about the Falklands conflict, because it
showed the British in a less than rosy light. My Mate Shofiq was about naked racism
by those in authority in our society, and in Albeson and the Germans a grubby
little school vandaliser became feted as a hero.
(If you think all this sounds like holier than
thou boasting, here’s another of my problems, though. My son Wilf, who used to
idolise Anthony Horowitz’s children’s books, once got me to provide an address
so that he could write to him. He proudly showed me the letter, which said:
“Dear Mr Horowitz, I’m your absolutely greatest fan and I love your books. My
dad also writes kids’ books, but his are crap.” And he bummed the stamp off me!)
The book I’ve just finished, provisionally
called It Came By Night, has no ambiguities with its villains. They are
genuinely appalling, and are in fact versions of people I have known and
worried over for years. The difficulties lie in the aftermath of the crime, as
the police struggle to come to terms with the complexities they’re
faced with. There is no lack of circumstantial evidence, which points towards a
group of travellers, and their assumed ‘villainy’ is all too easily seized on
by the investigators. The female protagonist is a journalist called Rosanna
Nixon. A journalist. A woman. No chance of any prejudice against her, then! And
sure enough, she is soon under attack, both sexually and on moral grounds.
Rosanna Nixon was also joint protagonist of
my first big thriller, which I published as an Ebook earlier this year. That is
called Kicking Off, and is similarly steeped in the ambiguities of ‘law and
order.’ It hopes to link crime and violence to a prison system that is
certainly not ‘fit for purpose,’ and a chain of denial and corruption in high
places that can only make things worse. A review in IEBR said it ‘offers a unique perspective on the social
ills of our country and an uncomfortable insight into the powderkeg that is our
prison system, all delivered at break neck speed with an uncompromising
hardness that reflects the seriousness of the subject matter.’
Violence is a difficult area, especially to
write about. A long time ago I did a TV series called Truckers, about the life
and times of the men, and women, who make their livings in the hard and
unforgiving world of long-distance road transport. I had several arguments
(some of which I won) with various directors of episodes who had what I
considered to be a romantic view of violence. It’s all too easy to have people
brawling and punching each other all over the place, but I don’t like it. If
it’s gratuitous it should not be there.
It’s a hypocrisy we’ve all got to be on guard
against, I think. Bashing a Burglar, to use the Sun’s headline last week,
sounds quite cosy. Good call, Mr Grayling. But how about Maiming a Marauder? And
Mr Cameron used to Hug Hoodies, didn’t he? What now? Hang them? Oh, and btw,
more than 31 thousand criminal injuries claimants are due to lose their money
soon, or have it drastically reduced. You’ll be allowed to Thrash a Thug now,
though – unless he gets you first.
In the meantime, I expect I’ll go on being
criticised for some of the things I write about, and probably in some cases
rightly so. But at least I don’t see violence as a simple way of getting sales
(or votes). My intention, and my hope, is that my books take it very seriously.
And as a postscript, I’ve just noticed that my Killing Time at Catterick, which
is about the violence visited on young recruits as a matter of course and
culture, has been knocked down to two stars on Kindle. One five star, five one stars
– and they all claim to be soldiers or ex soldiers. Should I be pleased or
devastated? (Or suspicious?)
Kicking Off:
Killing Time at Catterick:
Iraq abuse ‘whitewash’
My Mate Shofiq
http://www.amazon.co.uk/dp/B0078W05XU
http://www.amazon.co.uk/dp/B0078W05XU
Albeson and the Germans
A GAME OF SOLDIERS
Game of S
Youtube
Comments
Been Googling you, not for the first time...noticing more than ever this time that your "Wiki" page emphasizes that you're a writer who's encountered controversy A LOT in the past, and for all the best reasons.
(Though not for your penning of any Count Duckula episodes!)
Truckers had a great cast I see...Phillip Davis played Cowboy in it...and this is THE Phil Davis from QUADROPHENIA, who played "Yeti" in THE FIRM with Gary Oldman. Kenneth Cope (ghostly Marty Hopkirk from RANDALL AND HOPKIRK(DECEASED) was in there too I see...)
The thing about violence in TV, film, or fiction, for me, is a bit like "the thing" about sex, but even more so...where the rule seems to be that once you cross the line into just presenting violence for people to "get off on" (the romance of violence), then, yes, we enter the area of "junk" story.
Coincidentally, I just watched a 1979 Aussie war film tonight, THE ODD ANGRY SHOT, which certainly shows the reality and consequences of violence.
Nothing there to "get off on" or excited about.
I've seen the barrage on Amazon for Killing Time at Catterick.
I think it's just the same controversy you've faced down before. The group who disagree strongly with the book have found it first.
That powerful reaction is a sign that the book is strong medicine.
I know you just found out about the barrage this week too, and it will have been a shock.
But give this a month, or a year, time for others to find the book?
It could end up being a very interesting Amazon page indeed, as this almost "taboo" subject (especially in a time of active military deployment) is debated perhaps.
And you, after all, are still Jan-No-Stranger-To-Controversy-Needle!
You must expect these adventures...
As to Wikipedia, I've looked at it, and am quite interested in some of the things they've got wrong (although the controversy stuff's pretty well spot on). I should be glad someone took the trouble to put me in, though, I suppose. I'm told you can emend things, but life's too short.
And Killing Time at Catterick. Well, I knew I was cruising for a bruising with that one. Even my main source made me promise I'd never reveal his name in case any of his former comrades wanted to engage in literary discussions about it! And the reaction on the 'squaddies website' AARSE when it was originally serialised on OpenDemocracy (and in the comments section after every episode) was amazing. Paintstripper with added nitric acid.
The Kindle star system is a bit painful soemtimes, though, because the sound of axes being ground is probably invisible to people looking for a book to read. (Do I mean inaudible? Discuss.)
For anyone confused about my incomprehensible witter above John's piece, however - I wrote it after this post mistakenly went up two days early and I thought I needed to apologise. Then Sue Price (who hates telephones) accepted a call from a gibbering Jan, and put it all right for me. Except that my comment is still there. Sue also put the picture of me in. While it's a charming shot, and will undoubtedly earn me many anonymous billets doux, it's not something I'd have done myself. My favourite pic of me is the one on my Facebook page. Although I really ought to get that tooth extracted!
I'm never quite sure when slang is necessary for a character's authenticity (cringe, another buzzword) and when it becomes overdone and reads like a middle-aged writer (OK, I'm slowly approaching the other side of middle age, but you get my point) who's trying too hard. Thoughts, anyone?
As re 'slang' I'd have thought that if a person uses slang they use it relatively consistently (as with swear words) and therefore it's part of a characterisation. If we start saying you can only use slang so many times we turn into the 'corps' who count the number of swear words in an episode. Not sure I'm interpreting Lee's definition of 'slang' here though so shall go look at the source to see if I'm talking through a hole in my head or making an apposite point. Slang. What is it? (Good for) Absolutely nothing (that was a SONG parody btw!)
I have five children, all of whom grew up surrounded by liberally non-deleted expletives. One of them - the female - swears like a trooper, one of the males doesn't swear at all, the others are just like ordinary people. It's a mystery to me, too.
But my friend the late Mike Stott (Funny Peculiar, among other plays) once wrote a TV play called Soldiers Talking Cleanly (I think) in which the squaddies did not swear until the last five minutes, which were bleeped. It made the point brilliantly, as well as being very funny.
Not using slang when it might be expected is also an effective tool. (I've been reading J. Robert Lennon's Castle in which the narrator's voice is often deliberately formal.)
A pity you don't want to talk slang, Jan, because it's an area I find difficult to negotiate, or at least negotiate well. And don't get me started on the problems of translation!