While publishers play safe, authors create the brands of the future - By Roz Morris
Readers of this blog will know how many fine authors choose
to self-publish or are driven to it because they don’t fit a marketing niche.
But when we go it alone, how do we build a brand?
One important function that publishers used to perform was
curation - taking the creme de la creme, producing it well, putting it out
under an influential imprint. In the real world, that didn’t always count for
much, but the reading public thinks it did - so to get credibility, indies have
to replace it somehow. And here’s how we’re doing it.
Publishing collectives
Some indies band together to form an editorial board. Books
aren’t published unless all members approve them. That takes a lot of trust and
rigor, and all members have to be in tune with a particular type of reader. Perhaps
not good for mavericks, but it’s the indie version of the niche publisher.
The handpicked collection
Some authors are gathering collections of writers whose work
they admire. I was lucky enough to catch the attention of The League of Extraordinary Authors, started by NYT bestselling writer and
indie Joni Rodgers. Several other AE
members have too, including John AA Logan, Dan Holloway and Andrew Crofts. This
is the indie reboot of the personally curated imprint.
The blogging
collective
For years, conventionally published writers have blogged on
sites run by agencies, publishers or author genre societies. That’s what we’re
doing at AE.
But we write anything and everything, so what brand is that?
Good question.
What’s the AE brand?
In the traditional publishing world, a brand usually implies
a genre. But at AE we’re all over the place. Crime, suspense, YA, non-fiction,
self-help, literary, thriller. Some of our writers were barred from the holy
publishing temple because they mix genres (tsk tsk with your literary thriller,
John AA Logan) or were expelled for hopping from
one to another (Catherine Czerkawska). Those are my offences too - with a page-turning first novel that's praised for its weirdness, depth and lyricism, and a second novel that breaks even more rules.(Can't tell you about that just yet.)
So are we creating a brand at AE, and does it correspond to
any models in established publishing?
Yes it does. The oldest one of all - quality.
This is the AE brand. Forget your niches and pigeonholes.
You’re in safe hands. We write books, and whatever they are they will be good. That
is all you need.
Roz Morris is a bestselling
ghostwriter and book doctor. She blogs at Nail Your Novel
and has a double life on Twitter; for writing advice follow her as @dirtywhitecandy,
for more normal chit-chat try her on @ByRozMorris.
Her books are Nail Your Novel: Why Writers Abandon Books And How You Can
Draft, Fix and Finish With Confidence, available in print and on
Kindle She also has a novel, My Memories of a Future Life
available on Kindle (US and UK) and also in print. You can also listen to or download a free audio of the first 4 chapters
right here.
Comments
And I simply said, the writers themselves. With "quality controls," some of which you suggest here.
It's just like starting a business (in fact, if you go indie, it IS starting a business). You need product, quality systems and delivery. It used to be there was only one route to get all this in book publishing.That's no longer true.
And Jessica, great to see you here too.
I always want to give Quality its capital Q because I can't think of the word without thinking of the big book Zen and the Art of Motorcycle Maintenance which Robert Pirsig constructed around his Theory of Quality and that word.
Or the Greek arrete/excellence...the pursuit of the ideal of excellence which inspired Pirsig.
It's fascinating that the mainstream has betrayed that ideal so woefully, in book/film/even TV...(from Dennis Potter to...X Factor/Big Brother)...and that it is now the independents, or the independent collectives, who are free to produce quality work to fill the void (interesting to note too the tandem movement of AE and League of Extraordinaries just now, towards what is effectively a branding as Quality, which you have brought into focus and consciousness here)...
It's exciting!
If a film-maker wanted to try to follow Kurosawa or Bergman along the Road of Quality now, he'd have to be an indie film-maker...no doubt about that.
Writers likewise.
Julia - I'd be honoured to work on the intro, let's talk about what's needed!
I think there's too much pressure on an author to be a brand these days, especially with blogging and tweeting etc. But brands don't leave much room for creativity.