Getting away with mercy
Eden’s recent discussion of all the different Points Of View a writer can choose when telling a story came at just the right moment for me, having just finished reading a book which pushes this rule to the utmost. And got away with it. Brilliantly, as it happens. When I started writing children’s books, I saw no reason not to change points of view between characters. How else to follow their different paths if they get split up on their journey, as happens in Ante’s Inferno ? I needed an editor to point out that this was Ante’s story from the start, and that abandoning her half way through to get into the heads of the other characters wrecked all narrative tension. Restructuring the story was difficult but of course the editor was right. I learnt my lesson. One day I may be ready to bring off what many writers – Tolkien and C S Lewis among others – do, but not yet. And obviously, changing points of view between characters can only work if you’re writing in the third person; ...