Front to Back - Mari Biella
I’m currently in the process of giving my books a facelift. I’m not reworking
the actual contents (apart from clearing up a few minor typos and formatting
problems), just trying to make them look more attractive and professional. The
process so far has given me a thumping headache, and a renewed respect for
publishers. Getting a book to look all lovely and slick – in both its print and
eBook manifestations – is, let it be said, no easy matter. A thousand perils
lie in wait for the unwary.
This is sort of how I feel at the moment... © Phil Date / Dreamstime Stock Photos |
Still, I’m encouraged by the fact that achieving a nice professional look,
though difficult, is eminently possible. Here I am, sitting at the kitchen
table and thumping away at an ancient laptop that’s probably not even good for
spare parts any more, but with attention to detail, hard work and a smidgeon of
luck I might just be able to turn out books that are at least acceptable. Still, it’s tricky. The nuts
and bolts that authors once left to publishers still have to be taken care of,
and one of the nuttiest nuts is the not-so-small matter of front and back
matter. Here’s what I’ve learned so far. I’m still a novice, but it may come in
handy to someone out there ...
Print Books
If you’re a keen reader, you’ve probably been flicking through front
and back matter for about as long as you can remember. Unless you’ve an
unhealthy eye for niggling little details or a burning desire to work in the
publishing industry, you probably haven’t paid much attention to it. If you’re
self-publishing, however, you might just have to become a front-and-back matter
nerd. Those needing expert help – and that’ll be a lot of us, I imagine – can consult
either the New Oxford Style Manual (for those who favour British English) or the Chicago Manual of Style (for those on the other side of the Atlantic). Both of these manuals clarify industry
standards, and might therefore appeal to anyone who wants to emulate the big
publishers. Failing that, you could of course just study the books on your
bookshelf.
© Daniel Gilbey / Dreamstime Stock Photos |
In general, print books will contain all or at least most of the
following in their front matter:
- Half Title Page: only the book title appears on this page; the rest is blank space.
- The Title Page: full title of work (including subtitle), author’s name. May also include the publisher’s name and address.
- Copyright Page: copyright notice, edition information, legal notices, disclaimers, and so on.
The front matter might also include dedications, epigraphs, a Table of
Contents, a foreword, a preface, acknowledgements and so on. Back matter might
include a postscript, appendix, notes, errata, and a list of contributors where
relevant. Pick up any print book and you’ll see how the publishers have
arranged all this information, which is good as you’ll always have a pretty
solid basic model to work with.
So far, so (reasonably) straightforward. Unfortunately, it won’t
remain so for much longer, as we now have to consider ...
EBooks
This is where it gets altogether more tricky. An eBook requires quite
a different layout to a physical book, and what works well in print does not
always lend itself to the eReader.
First of all, front matter. Customers flicking through a physical book
in a bookshop can just skip through all the front matter and dive straight into
the story. For those browsing the electronic shelves over at Amazon or the
like, however, this is an altogether more laboured affair. EBook retailers
usually allow readers to try out a free sample of the book – anything between 10
and 30% – before they buy. The more of the story they read, the more they’re
likely to (hopefully) want to read. For this reason, most people advise keeping
front matter short and simple.
This is especially true of shorter works. I once read the free sample
of a novella – sort of. The problem was that, by the time I’d clicked through
the title pages, Table of Contents, dedication, foreword, disclaimers, and so
on, the actual amount of the story itself I read amounted to no more than a few
sentences. The novella itself might have been brilliant, but sadly I’ll never
know.
It's a question of style, don't you know. ©Daniel Gilbey / Dreamstime Stock Photos |
Having said that, there are certain things that you’ll want to include
in your front matter: the title of the book, the author’s name, the ISBN (if
any), copyright information, and disclaimers. Excerpts from some rave reviews
might also look good here, though other authors prefer to keep these for the
back matter. EBook distributors often have quite clear ideas about what should
be included in the front matter of a book, and are able to offer advice. The
Smashwords Style Guide can be downloaded free, and is useful whether you distribute with Smashwords or
not. Amazon, meanwhile, offers some handy hints to authors, such as these.
Something of a question mark hangs over the question of where to place
your Table of Contents, or ToC. A ToC is an essential component of an eBook, of
course, enabling readers to locate what they want quickly and easily. EBooks
without a ToC – and I’ve read a few, including some from big publishing houses
that really should know better – make me want to scream (What do you mean, I
have to scroll through the entire book
to find the bit I’m looking for?!) Many authors include the ToC at the front of
their books, but you can also
The back matter of your book is a good place to include information
about your other books. This could take the form of cover images, blurbs, favourable
reviews, or excerpts (maybe the first chapter, for example). It’s a good idea
to keep this relatively short, however; if it amounts to more than about 15% of
the total, some readers may feel cheated when they get 80% of the way through a
book only to find that the story suddenly ends.
Other things that might be included in your back matter might be a
request to readers to post reviews, your author biography, and links to your website,
and Twitter and Facebook profiles. You might also include information on how to
sign up to your mailing list, if you have one. If you’re really ambitious, and not ashamed to show it, you might even consider
author interviews or book club questions. Also best kept for the back matter is
that information which might be important to the author but is rarely of much
interest to the reader, such as dedications, acknowledgements, notes, and so
on.
Of course, nobody can cater to everyone’s tastes, and self-publishing
gives us a certain level of freedom, so authors can experiment and see what
works for them. What is most important, perhaps, is simply that readers are
rewarded with a pleasant reading experience. My books might have been put
together on my PC, with the aid of absolutely no specialist skills or
equipment, but I hope that by the time I’ve finished they’ll be able to rub
shoulders with those published by the big boys and not look like the poor relations.
Comments
Dennis - I found the CreateSpace template surprisingly easy to use, too, though I must admit to spending half an hour or so turning the air blue when I couldn't get the page numbers to format properly. Apart from that, though, it was hearteningly easy, even for me...
I often get the urge to start rewriting, Umberto. So far I've managed to resist, but for how much longer?!
It's easier to find it again if the chapter titles give me an idea of where to look. I remember doing exactly this with a contents page and page-numbers in my copy of 'Kidnapped' long before e-books were ever even dreamed of.
And I'm reading the excellent short stories in 'Something Vital Was Dropped' - and it has no TOC to enable me to skip backwards and forward between the various titles. Good as the stories are, this is a mark deducted for me.