In Sicily, Squalor and beauty have always existed cheek by jowl, finds Griselda Heppel
Beautiful Sicily |
Litter is of course a problem all over the world but Sicily takes it to a whole new level, appalling not just the tourists who flock there for its wealth of classical architecture, but visitors from other parts of Italy too.
Now, according to Lampedusa, this is nothing
new. When he wrote The Leopard in
1957, non-biodegradable plastic rubbish was not the problem it is today; yet
the careless behaviour that would allow it to become as bad as it is in Sicily goes
back hundreds of years.
Set against the backdrop of Italian Unification in
1861, the novel depicts officials sent from the northern province of Piedmont to the island being aghast by what they see:
In
front of every house the refuse of squalid meals accumulated along leprous
walls, trembling dogs were rooting about…
In Lampedusa’s view, filth and beauty existing
cheek by jowl is rooted deep in the Sicilian mindset, itself created by the
sheer difficulty of survival in such a harsh landscape and climate. The hero, Don Fabrizio, recalls the reaction of some visiting foreign naval officers (British, as it
happens):
They were
ecstatic about the view, the vehemence of the light; they confessed, though,
that they had been horrified at the squalor, decay, filth of the streets
around. I didn’t explain to them that one thing was derived from the other.
A Paradise of Pasta |
Reading this brought me straight back to a
holiday my husband and I took in Sicily with some friends a couple of years
ago. What we didn’t realise was that these friends were great Montalbano fans
(as in the TV series): for them Sicily was a paradise of home-made pasta served
in simple trattorie behind mediaeval doors; streets winding through ancient, honey-coloured villages, leading to squeaky-clean squares empty of parked cars and only two pedestrians loitering
somewhere at the top of the TV screen; enchanting fishermen’s cottages looking
out on to wide stretches of gleaming, empty beaches.
Their distress at
the Day-Glo plastic, empty cans and rotting food disfiguring every
beautiful scene was acute. The mess bothered me too but not as much
because I didn’t have that perfect television picture in my head of what it
should be like. It’s not that the cameras had lied, exactly; more that they’d
been positioned to cut out all the ugly bits. And each location had clearly been given a good clean-up before every shot.Montalbano gazes across an unspoilt Sicily |
The funny thing is, our friends knew deep down
that filming creates its own reality. Part of the joy of watching a series like
Montalbano is the beautiful setting; why would a film director want to spoil it?
Yet we buy the dream all the same without realising it, which means that
visiting the location of a favourite film or TV programme sets us up for
disappointment. I rarely watch the hugely popular Inspector Morse series but
when I do am amused to find, for instance, the detective knocking on the door
of a house in Jericho with the Sheldonian Theatre in view just behind it, making
an aesthetically pleasing but geographically impossible shot.
Not quite the
same as trails of litter everywhere (though we have our fair share of that in Oxford
too); but could still be disconcerting for an ardent Morse fan trying literally to follow
in their hero’s footsteps.
None of which solves Sicily's rubbish problems. If Lampedusa was right, only a massive shift in the Sicilians own outlook will do that.
Find out more about Griselda Heppel here:
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