Opening Salvos by Jan Edwards
I am just coming to the end of the editing marathon for my next
crime novel In Her Defence, and nervously awaiting final corrections and comments. As always the section
that has been poured over and fretted upon is that first chapter. Yes, the end
matters almost as much, but I am very aware, to the point of near paranoia, of
the need to start with a hook. Those opening few pages are all important, and
increasingly so when so many potential readers will be using the ‘look inside’
feature on Amazon to sample your wares.
So what constitutes the opening hook? The first page? Two pages?
Three?
Taking a quick glance at Kindle books the Amazon Look Inside
function varies on how much of a taster you are allowed and depends on the
quantity of prelims, but three to five pages of story available to read seems
to be the average. When a page is around 300 words on average it’s a scary
prospect to realise that the decision to read my many months of work will be judged
by the first 1000 words or less. For most people that is sufficient to know if they
like the writer’s style, and whether they’ve been well and truly gaffed. For me in
the final stages of editing hell that is truly terrifying.
Three years ago Misha Herwin and I were trying to promote our
books and finding it next to impossible to obtain slots at local libraries in
the evenings - when the majority of people would be able to attend. I am sure most people, writers and readers
alike, have been frustrated by this. It is no fault of the librarians
themselves however. They are only to happy to help writers of all kinds when
they are able, but cuts in government budgets have forced libraries to axe evening opening
hours; or in some cases close their doors entirely.
So what to do? We knew of evening reading cafes in other cities
(Birmingham and Manchester for example) but it is not easy to reach those
places from here after a day’s work. Anyone who has tried to travel the M6
between 5 and 7 pm will know exactly what I mean! The only answer was to
approach Central Library in Hanley and ask if we could run a series of quarterly
Reading Cafes. They agreed, but with the stipulations was that we were done and
dusted by 8.30pm and that to ensure we finished on time, to limit choices to
just six writers, each being allowed six minutes each to strut their stuff – thus
6x6 was born!
What has that to do with my editing jitters you might ask?
Audience feedback from these events has pretty much confirmed that
need for the much-talked of hook. Flash fiction at 6x6 will invariably work
well because most writers can get a story across in that permitted 900 (approx.)
words.
As the point of 6x6 has always been to allow authors to promote their current published titles we also receive a lot of opening chapters (or parts thereof) - and of course these still need to fit into that 6 minute (900 word) package - which is about the same space allowed on Amazon's Look Inside feature.
Do the 6x6 author’s opening salvos – those crucial first three pages (900 words) – entice the listener (reader) to want more? Or have them drooping in their seats and fighting to stay awake?
As the point of 6x6 has always been to allow authors to promote their current published titles we also receive a lot of opening chapters (or parts thereof) - and of course these still need to fit into that 6 minute (900 word) package - which is about the same space allowed on Amazon's Look Inside feature.
Do the 6x6 author’s opening salvos – those crucial first three pages (900 words) – entice the listener (reader) to want more? Or have them drooping in their seats and fighting to stay awake?
There is no mistaking the latter at 6x6 by the feet shuffling and
Meer cat impersonations as attention drifts and people start looking around the
room for a distraction. Six minutes may not sound long but it can feel it. Get
the piece right, however, and it flits past in an instant.
Which brings me back to my own edits and that final read through.
I shall tackle it with my 6x6 head on and ask myself that big question. Does it pass the six minute test? Or am I girding loin for the umpty-ninth draft in that unending search for the golden hook?
Only time and editors can tell.
I shall tackle it with my 6x6 head on and ask myself that big question. Does it pass the six minute test? Or am I girding loin for the umpty-ninth draft in that unending search for the golden hook?
Only time and editors can tell.
***
More about Jan Edwards and her work can be found on:
Blog: https://janedwardsblog.wordpress.com/
Facebook: jan.coleborn.edwards
Twitter: @jancoledwards
Blog: https://janedwardsblog.wordpress.com/
Facebook: jan.coleborn.edwards
Twitter: @jancoledwards
Titles in print – all available in print and dig formats
As author: Winter Downs; Fables and Fabrications; Sussex Tales; Leinster Gardens and Other Subtleties
As author: Winter Downs; Fables and Fabrications; Sussex Tales; Leinster Gardens and Other Subtleties
The award winning Winter Downs is first in the Bunch Courtney Investigates
series. Book two, In Her Defence, is coming soon!
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